Only the lull I like, the hum of your valved voice

The intent of this thesis is to clarify my artistic working process as well as the resulting thesis exhibition, Only the lull I like, the hum of your valved voice. I will provide explanations and descriptions of my exhibition (comprising a select placement of objects) as well as offer antecedents, i...

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Bibliographic Details
Main Author: Reese, Trevor
Format: Others
Published: ScholarWorks @ Georgia State University 2016
Subjects:
Online Access:http://scholarworks.gsu.edu/art_design_theses/206
http://scholarworks.gsu.edu/cgi/viewcontent.cgi?article=1216&context=art_design_theses
Description
Summary:The intent of this thesis is to clarify my artistic working process as well as the resulting thesis exhibition, Only the lull I like, the hum of your valved voice. I will provide explanations and descriptions of my exhibition (comprising a select placement of objects) as well as offer antecedents, informants, and the evolution of my art practice as a whole during my graduate studies. Specifically the work is discussed through the lenses of situational aesthetics, conceptual relationships, and perceptual absence to argue for the complicated semantics of the viewer within an ontology of object-hood and pre-established conditions.