Neri di Bicci: A study of three of his patrons' commissions of the Assumption of the Virgin altarpieces with a focus on their choice of an all'antica style
This thesis will analyze why three of Neri di Bicci’s patrons—the Spini family of Florence, a nun of the Bridgettine Order of Florence, and Ser Amideo of Santa Maria degli Ughi—desired to commission an altarpiece of the Assumption of the Virgin in an all’antica style. Neri di Bicci’s background as a...
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ndltd-GEORGIA-oai-scholarworks.gsu.edu-art_design_theses-11702014-06-17T15:45:10Z Neri di Bicci: A study of three of his patrons' commissions of the Assumption of the Virgin altarpieces with a focus on their choice of an all'antica style Samples, Kara This thesis will analyze why three of Neri di Bicci’s patrons—the Spini family of Florence, a nun of the Bridgettine Order of Florence, and Ser Amideo of Santa Maria degli Ughi—desired to commission an altarpiece of the Assumption of the Virgin in an all’antica style. Neri di Bicci’s background as an artist, existing scholarship, and comparisons of older styles of art will also be discussed. 2014-08-12T07:00:00Z text application/pdf http://scholarworks.gsu.edu/art_design_theses/162 http://scholarworks.gsu.edu/cgi/viewcontent.cgi?article=1170&context=art_design_theses Art and Design Theses ScholarWorks @ Georgia State University Neri di Bicci all'antica Florence Spini Santa Maria e Santa Brigida al Paradiso Santa Maria degli Ughi Assumption of the Virgin |
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Neri di Bicci all'antica Florence Spini Santa Maria e Santa Brigida al Paradiso Santa Maria degli Ughi Assumption of the Virgin |
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Neri di Bicci all'antica Florence Spini Santa Maria e Santa Brigida al Paradiso Santa Maria degli Ughi Assumption of the Virgin Samples, Kara Neri di Bicci: A study of three of his patrons' commissions of the Assumption of the Virgin altarpieces with a focus on their choice of an all'antica style |
description |
This thesis will analyze why three of Neri di Bicci’s patrons—the Spini family of Florence, a nun of the Bridgettine Order of Florence, and Ser Amideo of Santa Maria degli Ughi—desired to commission an altarpiece of the Assumption of the Virgin in an all’antica style. Neri di Bicci’s background as an artist, existing scholarship, and comparisons of older styles of art will also be discussed. |
author |
Samples, Kara |
author_facet |
Samples, Kara |
author_sort |
Samples, Kara |
title |
Neri di Bicci: A study of three of his patrons' commissions of the Assumption of the Virgin altarpieces with a focus on their choice of an all'antica style |
title_short |
Neri di Bicci: A study of three of his patrons' commissions of the Assumption of the Virgin altarpieces with a focus on their choice of an all'antica style |
title_full |
Neri di Bicci: A study of three of his patrons' commissions of the Assumption of the Virgin altarpieces with a focus on their choice of an all'antica style |
title_fullStr |
Neri di Bicci: A study of three of his patrons' commissions of the Assumption of the Virgin altarpieces with a focus on their choice of an all'antica style |
title_full_unstemmed |
Neri di Bicci: A study of three of his patrons' commissions of the Assumption of the Virgin altarpieces with a focus on their choice of an all'antica style |
title_sort |
neri di bicci: a study of three of his patrons' commissions of the assumption of the virgin altarpieces with a focus on their choice of an all'antica style |
publisher |
ScholarWorks @ Georgia State University |
publishDate |
2014 |
url |
http://scholarworks.gsu.edu/art_design_theses/162 http://scholarworks.gsu.edu/cgi/viewcontent.cgi?article=1170&context=art_design_theses |
work_keys_str_mv |
AT sampleskara neridibicciastudyofthreeofhispatronscommissionsoftheassumptionofthevirginaltarpieceswithafocusontheirchoiceofanallanticastyle |
_version_ |
1716669893332434944 |