Negotiating Hybridity in the Work of Lalla Essaydi: An Exploration of Gaze
The photographic work of contemporary Moroccan artist, Lalla Essaydi, embodies a new artistic hybridity that reflects her nomadic, globalized background. With this work, the artist employs visual symbolism and uses multiple forms of artistic media as a means to analyze her multicultural background....
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ndltd-GEORGIA-oai-digitalarchive.gsu.edu-art_design_theses-11442013-06-27T03:11:34Z Negotiating Hybridity in the Work of Lalla Essaydi: An Exploration of Gaze Darrow, Susannah B The photographic work of contemporary Moroccan artist, Lalla Essaydi, embodies a new artistic hybridity that reflects her nomadic, globalized background. With this work, the artist employs visual symbolism and uses multiple forms of artistic media as a means to analyze her multicultural background. Throughout her series, which spans 2004-present, Essaydi uses both literal and metaphorical representations of space and self as a means to examine the multifacetedness of her national identity and the many gazes that define that identity. She uses artistic production as a means of mediating the collective experiences of her identity in order to negotiate and construct a revised image of self. 2013-08-01T07:00:00Z text application/pdf http://digitalarchive.gsu.edu/art_design_theses/137 http://digitalarchive.gsu.edu/cgi/viewcontent.cgi?article=1144&context=art_design_theses Art and Design Theses Digital Archive @ GSU Lalla Essaydi Hybridity Gaze Orientalism Contemporary Middle Eastern art Multiculturalism |
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Lalla Essaydi Hybridity Gaze Orientalism Contemporary Middle Eastern art Multiculturalism |
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Lalla Essaydi Hybridity Gaze Orientalism Contemporary Middle Eastern art Multiculturalism Darrow, Susannah B Negotiating Hybridity in the Work of Lalla Essaydi: An Exploration of Gaze |
description |
The photographic work of contemporary Moroccan artist, Lalla Essaydi, embodies a new artistic hybridity that reflects her nomadic, globalized background. With this work, the artist employs visual symbolism and uses multiple forms of artistic media as a means to analyze her multicultural background. Throughout her series, which spans 2004-present, Essaydi uses both literal and metaphorical representations of space and self as a means to examine the multifacetedness of her national identity and the many gazes that define that identity. She uses artistic production as a means of mediating the collective experiences of her identity in order to negotiate and construct a revised image of self. |
author |
Darrow, Susannah B |
author_facet |
Darrow, Susannah B |
author_sort |
Darrow, Susannah B |
title |
Negotiating Hybridity in the Work of Lalla Essaydi: An Exploration of Gaze |
title_short |
Negotiating Hybridity in the Work of Lalla Essaydi: An Exploration of Gaze |
title_full |
Negotiating Hybridity in the Work of Lalla Essaydi: An Exploration of Gaze |
title_fullStr |
Negotiating Hybridity in the Work of Lalla Essaydi: An Exploration of Gaze |
title_full_unstemmed |
Negotiating Hybridity in the Work of Lalla Essaydi: An Exploration of Gaze |
title_sort |
negotiating hybridity in the work of lalla essaydi: an exploration of gaze |
publisher |
Digital Archive @ GSU |
publishDate |
2013 |
url |
http://digitalarchive.gsu.edu/art_design_theses/137 http://digitalarchive.gsu.edu/cgi/viewcontent.cgi?article=1144&context=art_design_theses |
work_keys_str_mv |
AT darrowsusannahb negotiatinghybridityintheworkoflallaessaydianexplorationofgaze |
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