Plastic Recognition: The Politics and Aesthetics of Facial Representation from Silent Cinema to Cognitive Neuroscience
<p>Plastic Recognition traces a critical genealogy of the human face in cinema and its afterlives. By rethinking the history of film theory through its various investments in the face, it seeks to intervene not only in the discipline of film studies but more broadly within contemporary politic...
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2013
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| Online Access: | http://hdl.handle.net/10161/8199 |