Performing the Uncanny: An Exploration of Self Through Alternative Process Photography

This paper considers how the tradition of self-portraiture and alternative process photography can be used in conjunction with one another to perform the uncanny. I discuss the "uncanny" through three theoretical lenses: Sigmund Freud, Hal Foster, and Rosalind Krauss. I then go on to discu...

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Main Author: Thomas, Caroline
Format: Others
Published: Scholarship @ Claremont 2016
Subjects:
Online Access:http://scholarship.claremont.edu/scripps_theses/789
http://scholarship.claremont.edu/cgi/viewcontent.cgi?article=1767&context=scripps_theses
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spelling ndltd-CLAREMONT-oai-scholarship.claremont.edu-scripps_theses-17672016-01-12T03:25:22Z Performing the Uncanny: An Exploration of Self Through Alternative Process Photography Thomas, Caroline This paper considers how the tradition of self-portraiture and alternative process photography can be used in conjunction with one another to perform the uncanny. I discuss the "uncanny" through three theoretical lenses: Sigmund Freud, Hal Foster, and Rosalind Krauss. I then go on to discuss how the "uncanny" has been used in alternative processes of contemporary work by examining Robert Heinecken and Joyce Neimanas. Finally by looking at Francesca Woodman's self-portraiture, I address how self-portraiture can be a type of performance and how this influenced my own series during my 2015 Fall semester. As a whole this paper addresses how my senior thesis work functions within art theory and art history. 2016-01-01T08:00:00Z text application/pdf http://scholarship.claremont.edu/scripps_theses/789 http://scholarship.claremont.edu/cgi/viewcontent.cgi?article=1767&context=scripps_theses © 2015 Caroline G. Thomas default Scripps Senior Theses Scholarship @ Claremont Photography Self-Portraiture Uncanny Fine Arts Photography
collection NDLTD
format Others
sources NDLTD
topic Photography
Self-Portraiture
Uncanny
Fine Arts
Photography
spellingShingle Photography
Self-Portraiture
Uncanny
Fine Arts
Photography
Thomas, Caroline
Performing the Uncanny: An Exploration of Self Through Alternative Process Photography
description This paper considers how the tradition of self-portraiture and alternative process photography can be used in conjunction with one another to perform the uncanny. I discuss the "uncanny" through three theoretical lenses: Sigmund Freud, Hal Foster, and Rosalind Krauss. I then go on to discuss how the "uncanny" has been used in alternative processes of contemporary work by examining Robert Heinecken and Joyce Neimanas. Finally by looking at Francesca Woodman's self-portraiture, I address how self-portraiture can be a type of performance and how this influenced my own series during my 2015 Fall semester. As a whole this paper addresses how my senior thesis work functions within art theory and art history.
author Thomas, Caroline
author_facet Thomas, Caroline
author_sort Thomas, Caroline
title Performing the Uncanny: An Exploration of Self Through Alternative Process Photography
title_short Performing the Uncanny: An Exploration of Self Through Alternative Process Photography
title_full Performing the Uncanny: An Exploration of Self Through Alternative Process Photography
title_fullStr Performing the Uncanny: An Exploration of Self Through Alternative Process Photography
title_full_unstemmed Performing the Uncanny: An Exploration of Self Through Alternative Process Photography
title_sort performing the uncanny: an exploration of self through alternative process photography
publisher Scholarship @ Claremont
publishDate 2016
url http://scholarship.claremont.edu/scripps_theses/789
http://scholarship.claremont.edu/cgi/viewcontent.cgi?article=1767&context=scripps_theses
work_keys_str_mv AT thomascaroline performingtheuncannyanexplorationofselfthroughalternativeprocessphotography
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