Performing the Uncanny: An Exploration of Self Through Alternative Process Photography
This paper considers how the tradition of self-portraiture and alternative process photography can be used in conjunction with one another to perform the uncanny. I discuss the "uncanny" through three theoretical lenses: Sigmund Freud, Hal Foster, and Rosalind Krauss. I then go on to discu...
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ndltd-CLAREMONT-oai-scholarship.claremont.edu-scripps_theses-17672016-01-12T03:25:22Z Performing the Uncanny: An Exploration of Self Through Alternative Process Photography Thomas, Caroline This paper considers how the tradition of self-portraiture and alternative process photography can be used in conjunction with one another to perform the uncanny. I discuss the "uncanny" through three theoretical lenses: Sigmund Freud, Hal Foster, and Rosalind Krauss. I then go on to discuss how the "uncanny" has been used in alternative processes of contemporary work by examining Robert Heinecken and Joyce Neimanas. Finally by looking at Francesca Woodman's self-portraiture, I address how self-portraiture can be a type of performance and how this influenced my own series during my 2015 Fall semester. As a whole this paper addresses how my senior thesis work functions within art theory and art history. 2016-01-01T08:00:00Z text application/pdf http://scholarship.claremont.edu/scripps_theses/789 http://scholarship.claremont.edu/cgi/viewcontent.cgi?article=1767&context=scripps_theses © 2015 Caroline G. Thomas default Scripps Senior Theses Scholarship @ Claremont Photography Self-Portraiture Uncanny Fine Arts Photography |
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Photography Self-Portraiture Uncanny Fine Arts Photography |
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Photography Self-Portraiture Uncanny Fine Arts Photography Thomas, Caroline Performing the Uncanny: An Exploration of Self Through Alternative Process Photography |
description |
This paper considers how the tradition of self-portraiture and alternative process photography can be used in conjunction with one another to perform the uncanny. I discuss the "uncanny" through three theoretical lenses: Sigmund Freud, Hal Foster, and Rosalind Krauss. I then go on to discuss how the "uncanny" has been used in alternative processes of contemporary work by examining Robert Heinecken and Joyce Neimanas. Finally by looking at Francesca Woodman's self-portraiture, I address how self-portraiture can be a type of performance and how this influenced my own series during my 2015 Fall semester. As a whole this paper addresses how my senior thesis work functions within art theory and art history. |
author |
Thomas, Caroline |
author_facet |
Thomas, Caroline |
author_sort |
Thomas, Caroline |
title |
Performing the Uncanny: An Exploration of Self Through Alternative Process Photography |
title_short |
Performing the Uncanny: An Exploration of Self Through Alternative Process Photography |
title_full |
Performing the Uncanny: An Exploration of Self Through Alternative Process Photography |
title_fullStr |
Performing the Uncanny: An Exploration of Self Through Alternative Process Photography |
title_full_unstemmed |
Performing the Uncanny: An Exploration of Self Through Alternative Process Photography |
title_sort |
performing the uncanny: an exploration of self through alternative process photography |
publisher |
Scholarship @ Claremont |
publishDate |
2016 |
url |
http://scholarship.claremont.edu/scripps_theses/789 http://scholarship.claremont.edu/cgi/viewcontent.cgi?article=1767&context=scripps_theses |
work_keys_str_mv |
AT thomascaroline performingtheuncannyanexplorationofselfthroughalternativeprocessphotography |
_version_ |
1718160341468184576 |