Genre, Birth Cohort, and Product Perception: Responses to Background Music in Commercial Advertising

Research shows that music transmits both embodied (universally perceptible) and referential (culturally specific) meanings. The present study sought to explore the persuasive power of music in commercial advertising, and the complex ties that exist between music, life experience and perception. The...

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Main Author: Cavanah, Cassidy R
Format: Others
Published: Scholarship @ Claremont 2013
Subjects:
Online Access:http://scholarship.claremont.edu/scripps_theses/198
http://scholarship.claremont.edu/cgi/viewcontent.cgi?article=1282&context=scripps_theses
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spelling ndltd-CLAREMONT-oai-scholarship.claremont.edu-scripps_theses-12822013-08-08T03:03:07Z Genre, Birth Cohort, and Product Perception: Responses to Background Music in Commercial Advertising Cavanah, Cassidy R Research shows that music transmits both embodied (universally perceptible) and referential (culturally specific) meanings. The present study sought to explore the persuasive power of music in commercial advertising, and the complex ties that exist between music, life experience and perception. The study looked at how the perception of a product could be altered in accordance with specific embodied and referential meanings. With a focus on the effects of music genre and birth cohort on product perception, embodied meanings were expected to produce similar results across birth cohorts, and referential meanings were expected to produce significantly different results. A total of 100 participants were administered the survey online. Participants watched 30-second original video clips and were asked to complete a survey. There were 16 videos made with the 4 products types and 4 music genres selected for the experiment. The survey measured perception through ratings of agreement to statements; one set of statements aimed to measure embodied meaning and the other to measure referential meaning. Each measure of the survey was individually analyzed; data used here is from the analysis of a product as classic. There was a significant main effect of music genre on product perception for a majority of the measures, F(3,273)=13.075, p F (2,91)=3.941, p=.023. There was no significant interaction between birth cohort and music genre on product perception for any measures, F(6,273)=.801, p =.570. Results show that the older cohort prefers classic rock and jazz, the younger birth cohort prefers electronic and pop. Results for the questions looking at referential meaning primarily produced insignificant results. 2013-04-01T07:00:00Z text application/pdf http://scholarship.claremont.edu/scripps_theses/198 http://scholarship.claremont.edu/cgi/viewcontent.cgi?article=1282&context=scripps_theses © 2013 Cassidy R. Cavanah Scripps Senior Theses Scholarship @ Claremont Background Music Product Perception Birth Cohort Commercial Advertising Other Psychology Psychology Social Psychology
collection NDLTD
format Others
sources NDLTD
topic Background
Music
Product
Perception
Birth
Cohort
Commercial
Advertising
Other Psychology
Psychology
Social Psychology
spellingShingle Background
Music
Product
Perception
Birth
Cohort
Commercial
Advertising
Other Psychology
Psychology
Social Psychology
Cavanah, Cassidy R
Genre, Birth Cohort, and Product Perception: Responses to Background Music in Commercial Advertising
description Research shows that music transmits both embodied (universally perceptible) and referential (culturally specific) meanings. The present study sought to explore the persuasive power of music in commercial advertising, and the complex ties that exist between music, life experience and perception. The study looked at how the perception of a product could be altered in accordance with specific embodied and referential meanings. With a focus on the effects of music genre and birth cohort on product perception, embodied meanings were expected to produce similar results across birth cohorts, and referential meanings were expected to produce significantly different results. A total of 100 participants were administered the survey online. Participants watched 30-second original video clips and were asked to complete a survey. There were 16 videos made with the 4 products types and 4 music genres selected for the experiment. The survey measured perception through ratings of agreement to statements; one set of statements aimed to measure embodied meaning and the other to measure referential meaning. Each measure of the survey was individually analyzed; data used here is from the analysis of a product as classic. There was a significant main effect of music genre on product perception for a majority of the measures, F(3,273)=13.075, p F (2,91)=3.941, p=.023. There was no significant interaction between birth cohort and music genre on product perception for any measures, F(6,273)=.801, p =.570. Results show that the older cohort prefers classic rock and jazz, the younger birth cohort prefers electronic and pop. Results for the questions looking at referential meaning primarily produced insignificant results.
author Cavanah, Cassidy R
author_facet Cavanah, Cassidy R
author_sort Cavanah, Cassidy R
title Genre, Birth Cohort, and Product Perception: Responses to Background Music in Commercial Advertising
title_short Genre, Birth Cohort, and Product Perception: Responses to Background Music in Commercial Advertising
title_full Genre, Birth Cohort, and Product Perception: Responses to Background Music in Commercial Advertising
title_fullStr Genre, Birth Cohort, and Product Perception: Responses to Background Music in Commercial Advertising
title_full_unstemmed Genre, Birth Cohort, and Product Perception: Responses to Background Music in Commercial Advertising
title_sort genre, birth cohort, and product perception: responses to background music in commercial advertising
publisher Scholarship @ Claremont
publishDate 2013
url http://scholarship.claremont.edu/scripps_theses/198
http://scholarship.claremont.edu/cgi/viewcontent.cgi?article=1282&context=scripps_theses
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