A critical analysis of the performance practices of the positive, portative, and regal organs of Western Europe in the thirteenth through sixteenth centuries
The writer has examined the performance practices of the positive, portative, and regal organs in both the sacred and secular genre. Throughout the research the aspect of the prominent position of the church and its dogmatic practices were demonstrated to be highly influential in the usage of the or...
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| Format: | Others |
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2011
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| Online Access: | http://cardinalscholar.bsu.edu/handle/handle/182664 http://liblink.bsu.edu/uhtbin/catkey/387352 |