"Standing at the Very Edge of the Infinite”: Beauty, Transcendence and the Modern Kalliphobic Rebellion
Thesis advisor: Jeffrey Bloechl === This dissertation examines the relationship between the experience of beauty and intuitions of transcendence. The first two chapters explore the role that natural beauty plays in humans’ existential ruminations, finding an intimate connection between beauty and be...
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ndltd-BOSTON-oai-dlib.bc.edu-bc-ir_1087282020-09-11T05:01:12Z "Standing at the Very Edge of the Infinite”: Beauty, Transcendence and the Modern Kalliphobic Rebellion Corbin, Ian Marcus Thesis advisor: Jeffrey Bloechl Text thesis 2019 Boston College English electronic application/pdf This dissertation examines the relationship between the experience of beauty and intuitions of transcendence. The first two chapters explore the role that natural beauty plays in humans’ existential ruminations, finding an intimate connection between beauty and belief in transcendent realities. The final three chapters examine the post-WWII turn away from beauty in fine art, and argue that this turn is intimately connected with a broader turn away from transcendent horizons in the wake of the second World War, e.g. that seen in Rawlsian Liberalism. Finally, an argument is developed that a culture without transcendence and beauty is unlikely to thrive in the long run, and so the postwar turn against same should be carefully, soberly abandoned. Transcendence Copyright is held by the author. This work is licensed under a Creative Commons Attribution 4.0 International License (http://creativecommons.org/licenses/by/4.0). Thesis (PhD) — Boston College, 2019. Submitted to: Boston College. Graduate School of Arts and Sciences. Discipline: Philosophy. Beauty http://hdl.handle.net/2345/bc-ir:108728 |
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Transcendence Beauty Corbin, Ian Marcus "Standing at the Very Edge of the Infinite”: Beauty, Transcendence and the Modern Kalliphobic Rebellion |
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Thesis advisor: Jeffrey Bloechl === This dissertation examines the relationship between the experience of beauty and intuitions of transcendence. The first two chapters explore the role that natural beauty plays in humans’ existential ruminations, finding an intimate connection between beauty and belief in transcendent realities. The final three chapters examine the post-WWII turn away from beauty in fine art, and argue that this turn is intimately connected with a broader turn away from transcendent horizons in the wake of the second World War, e.g. that seen in Rawlsian Liberalism. Finally, an argument is developed that a culture without transcendence and beauty is unlikely to thrive in the long run, and so the postwar turn against same should be carefully, soberly abandoned. === Thesis (PhD) — Boston College, 2019. === Submitted to: Boston College. Graduate School of Arts and Sciences. === Discipline: Philosophy. |
author |
Corbin, Ian Marcus |
author_facet |
Corbin, Ian Marcus |
author_sort |
Corbin, Ian Marcus |
title |
"Standing at the Very Edge of the Infinite”: Beauty, Transcendence and the Modern Kalliphobic Rebellion |
title_short |
"Standing at the Very Edge of the Infinite”: Beauty, Transcendence and the Modern Kalliphobic Rebellion |
title_full |
"Standing at the Very Edge of the Infinite”: Beauty, Transcendence and the Modern Kalliphobic Rebellion |
title_fullStr |
"Standing at the Very Edge of the Infinite”: Beauty, Transcendence and the Modern Kalliphobic Rebellion |
title_full_unstemmed |
"Standing at the Very Edge of the Infinite”: Beauty, Transcendence and the Modern Kalliphobic Rebellion |
title_sort |
"standing at the very edge of the infinite”: beauty, transcendence and the modern kalliphobic rebellion |
publisher |
Boston College |
publishDate |
2019 |
url |
http://hdl.handle.net/2345/bc-ir:108728 |
work_keys_str_mv |
AT corbinianmarcus standingattheveryedgeoftheinfinitebeautytranscendenceandthemodernkalliphobicrebellion |
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1719339680037601280 |