New Genres in the Art Classroom: Shifting Ideas and Identities
Secondary art education programs primarily offer courses in traditional mediums like drawing, painting, sculpture, and ceramics. In addition to valuing these traditional art forms, art education research supports integrating new technologies and media in the classroom. However, the possibilities of...
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ndltd-BGMYU2-oai-scholarsarchive.byu.edu-etd-70512019-05-16T03:26:29Z New Genres in the Art Classroom: Shifting Ideas and Identities Ridge, Alyssa Grant Secondary art education programs primarily offer courses in traditional mediums like drawing, painting, sculpture, and ceramics. In addition to valuing these traditional art forms, art education research supports integrating new technologies and media in the classroom. However, the possibilities of creating an exclusively contemporary, new genres curriculum have yet to be explored. This study examines the affordances and limitations of a high school-level new genre curriculum and describes how students reacted to these new genres and how their perceptions of art, student-peer relationships, and artist identities changed over time. By introducing students to new genres, the author found students expanded their definitions of art, became excited about art, and created personally relevant and meaningful artwork. The results of this case study may be valuable to art educators desiring to integrate more contemporary art into their curriculum. 2015-12-01T08:00:00Z text application/pdf https://scholarsarchive.byu.edu/etd/6052 https://scholarsarchive.byu.edu/cgi/viewcontent.cgi?article=7051&context=etd http://lib.byu.edu/about/copyright/ All Theses and Dissertations BYU ScholarsArchive new genre contemporary art secondary curriculum case study Art Practice |
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new genre contemporary art secondary curriculum case study Art Practice |
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new genre contemporary art secondary curriculum case study Art Practice Ridge, Alyssa Grant New Genres in the Art Classroom: Shifting Ideas and Identities |
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Secondary art education programs primarily offer courses in traditional mediums like drawing, painting, sculpture, and ceramics. In addition to valuing these traditional art forms, art education research supports integrating new technologies and media in the classroom. However, the possibilities of creating an exclusively contemporary, new genres curriculum have yet to be explored. This study examines the affordances and limitations of a high school-level new genre curriculum and describes how students reacted to these new genres and how their perceptions of art, student-peer relationships, and artist identities changed over time. By introducing students to new genres, the author found students expanded their definitions of art, became excited about art, and created personally relevant and meaningful artwork. The results of this case study may be valuable to art educators desiring to integrate more contemporary art into their curriculum. |
author |
Ridge, Alyssa Grant |
author_facet |
Ridge, Alyssa Grant |
author_sort |
Ridge, Alyssa Grant |
title |
New Genres in the Art Classroom: Shifting Ideas and Identities |
title_short |
New Genres in the Art Classroom: Shifting Ideas and Identities |
title_full |
New Genres in the Art Classroom: Shifting Ideas and Identities |
title_fullStr |
New Genres in the Art Classroom: Shifting Ideas and Identities |
title_full_unstemmed |
New Genres in the Art Classroom: Shifting Ideas and Identities |
title_sort |
new genres in the art classroom: shifting ideas and identities |
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BYU ScholarsArchive |
publishDate |
2015 |
url |
https://scholarsarchive.byu.edu/etd/6052 https://scholarsarchive.byu.edu/cgi/viewcontent.cgi?article=7051&context=etd |
work_keys_str_mv |
AT ridgealyssagrant newgenresintheartclassroomshiftingideasandidentities |
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1719186146178629632 |