Reject or Redemptive Fathers? A Content Analysis of Father Portrayals in Top Box Office Family Films

More research is needed to fully understand the way in which parents, particularly fathers, are portrayed in family films and the effects those portrayals might have. Viewers, particularly parents, need to understand how the material their children view presents reality and how it may shape their ch...

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Main Author: Wadsworth, Cassidy Jo
Format: Others
Published: BYU ScholarsArchive 2015
Subjects:
Online Access:https://scholarsarchive.byu.edu/etd/5818
https://scholarsarchive.byu.edu/cgi/viewcontent.cgi?article=6817&context=etd
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spelling ndltd-BGMYU2-oai-scholarsarchive.byu.edu-etd-68172019-05-16T03:17:02Z Reject or Redemptive Fathers? A Content Analysis of Father Portrayals in Top Box Office Family Films Wadsworth, Cassidy Jo More research is needed to fully understand the way in which parents, particularly fathers, are portrayed in family films and the effects those portrayals might have. Viewers, particularly parents, need to understand how the material their children view presents reality and how it may shape their children's perspectives of the real world, particularly where the family unit and parenting role are concerned. By exploring these portrayals through the lens of Cultivation Theory, this study sought to answer this overarching question: How are fathers portrayed in family films as opposed to television? This quantitative study explores the top twenty films from the 1980s, the 1990s and the decade spanning 2004-2014 in order to ascertain this. Families within those films, particularly parents and most specifically fathers, are the primary subjects of study. Observations were made through content analysis. The findings show that fathers are portrayed more positively in family films than they are on television. The data suggest that the differences between fathers and mothers in film are not so marked and sexist as they are in television shows, and that fathers may exert a stronger and more positive role in film families than they do in television families. This study begins to establish film as a genre to further be explored as a medium for family relations studies as television has been. Film is a powerful media tool in its own right and should further be studied with regard to portrayal of families in its material. 2015-12-01T08:00:00Z text application/pdf https://scholarsarchive.byu.edu/etd/5818 https://scholarsarchive.byu.edu/cgi/viewcontent.cgi?article=6817&context=etd http://lib.byu.edu/about/copyright/ All Theses and Dissertations BYU ScholarsArchive children content analysis Cultivation Theory film George Gerbner parent centrality parent maturity parent portrayals parenting style presence television content analysis Communication
collection NDLTD
format Others
sources NDLTD
topic children
content analysis
Cultivation Theory
film
George Gerbner
parent centrality
parent maturity
parent portrayals
parenting style
presence
television
content analysis
Communication
spellingShingle children
content analysis
Cultivation Theory
film
George Gerbner
parent centrality
parent maturity
parent portrayals
parenting style
presence
television
content analysis
Communication
Wadsworth, Cassidy Jo
Reject or Redemptive Fathers? A Content Analysis of Father Portrayals in Top Box Office Family Films
description More research is needed to fully understand the way in which parents, particularly fathers, are portrayed in family films and the effects those portrayals might have. Viewers, particularly parents, need to understand how the material their children view presents reality and how it may shape their children's perspectives of the real world, particularly where the family unit and parenting role are concerned. By exploring these portrayals through the lens of Cultivation Theory, this study sought to answer this overarching question: How are fathers portrayed in family films as opposed to television? This quantitative study explores the top twenty films from the 1980s, the 1990s and the decade spanning 2004-2014 in order to ascertain this. Families within those films, particularly parents and most specifically fathers, are the primary subjects of study. Observations were made through content analysis. The findings show that fathers are portrayed more positively in family films than they are on television. The data suggest that the differences between fathers and mothers in film are not so marked and sexist as they are in television shows, and that fathers may exert a stronger and more positive role in film families than they do in television families. This study begins to establish film as a genre to further be explored as a medium for family relations studies as television has been. Film is a powerful media tool in its own right and should further be studied with regard to portrayal of families in its material.
author Wadsworth, Cassidy Jo
author_facet Wadsworth, Cassidy Jo
author_sort Wadsworth, Cassidy Jo
title Reject or Redemptive Fathers? A Content Analysis of Father Portrayals in Top Box Office Family Films
title_short Reject or Redemptive Fathers? A Content Analysis of Father Portrayals in Top Box Office Family Films
title_full Reject or Redemptive Fathers? A Content Analysis of Father Portrayals in Top Box Office Family Films
title_fullStr Reject or Redemptive Fathers? A Content Analysis of Father Portrayals in Top Box Office Family Films
title_full_unstemmed Reject or Redemptive Fathers? A Content Analysis of Father Portrayals in Top Box Office Family Films
title_sort reject or redemptive fathers? a content analysis of father portrayals in top box office family films
publisher BYU ScholarsArchive
publishDate 2015
url https://scholarsarchive.byu.edu/etd/5818
https://scholarsarchive.byu.edu/cgi/viewcontent.cgi?article=6817&context=etd
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