Criticism as Redemption: Jonathan Safran Foer's Theory of Meaning
Not long after the release of his first novel, Everything is Illuminated, critics and authors alike began showering Jonathan Safran Foer with both praise and disparagement for his postmodern style. Yet, this large body of criticism ignores the theoretical work taking place within Foer's fiction...
Main Author: | Barlow, Lauren Nicole |
---|---|
Format: | Others |
Published: |
BYU ScholarsArchive
2010
|
Subjects: | |
Online Access: | https://scholarsarchive.byu.edu/etd/2123 https://scholarsarchive.byu.edu/cgi/viewcontent.cgi?article=3122&context=etd |
Similar Items
-
‘Humorous Is the Only Truthful Way to Tell a Sad Story’: Jonathan Safran Foer and Third Generation Holocaust Representation
by: Sarah Coakley
Published: (2019-10-01) -
Ripples of Trauma in Jonathan Safran Foer’s Extremely Loud & Incredibly Close and in Art Spiegelman’s In the Shadow of No Towers
by: Gwen Le Cor
Published: (2015-10-01) -
Après la Shoah : écritures de la trace dans les œuvres de Jonathan Safran Foer, Daniel Mendelsohn, et Art Spiegelman
by: Bardizbanian, Audrey
Published: (2017) -
I’m OK”: Levels of Communication and Trauma Recovery in Jonathan Safran Foer’s Extremely Loud and Incredibly Close
by: Shlomo Gross, Mihaela
Published: (2014) -
Bild och text - en oupplöslig enhet : En tematisk analys av Jonathan Safran Foers roman Extremely Loud and Incredibly Close
by: Sunnerdahl, Julia
Published: (2017)