| Summary: | Throughout the 20th Century, a number of philosophers, writers, artists and film makers have implied that there is some profound significance to the work of Donatien Alphonse François, the Marquis de Sade (1740-1814). The project at hand is to evaluate the claim that Sade, in some sense, is a philosopher, and to assess what his philosophy amounts to. There are two aspects to this task. Firstly, I will consider the various philosophical interpretations of Sade’s work. This part of the study will serve as a guide into the Sadeian labyrinth, and will establish some of the more central interpretive themes, in particular the claim that Sade’s thought anticipates that of the Nazis, or that he brings early Modern thought to its logical conclusion. Secondly, I will inquire into Sade’s writings themselves. Of particular interest are Sade’s thoughts concerning the nature of sexuality, psychology, and the human condition in general, his critique of conventional morality, and his description of the nature of power. === Whole document restricted, but available by request, use the feedback form to request access.
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