A Questionnaire on Materialisms

Recent philosophical tendencies of "Actor-Network Theory," "Object-Oriented Ontology," and "Speculative Realism" have profoundly challenged the centrality of subjectivity in the humanities, and many artists and curators, particularly in the UK, Germany, and the United S...

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Main Authors: Apter, Emily (Author), Atkins, Ed (Author), Avanessian, Armen (Author), Brown, Bill (Author), Bruno, Giuliana (Author), Bryan-Wilson, Julia (Author), Burnett, D. Graham (Author), Chen, Mel Y. (Author), Cole, Andrew (Author), Cox, Christoph (Author), Malik, Suhail (Author), Demos, T. J. (Author), Dolven, Jeff (Author), Doris, David T. (Author), Helmut, Draxler (Author), Falguières, Patricia (Author), Galison, Peter (Author), Galloway, Alexander R. (Author), Haidu, Rachel (Author), Harman, Graham (Author), Henrot, Camille (Author), Holmes, Brooke (Author), Ingold, Tim (Author), Litnick, Alex (Author), Lewitt, Sam (Author), Molesworth, Helen (Author), Nemerov, Alexander (Author), Newman, Michael (Author), Papapetros, Spyros (Author), Pfeffer, Susanne (Author), Quack, Gregor (Author), Ray, Charles (Author), Ritchie, Matthew (Author), Rottmann, André (Author), Siegel, Amie (Author), Stakemeier, Kerstin (Author), Vierkant, Artie (Author), Wark, McKenzie (Author), Weizman, Eyal (Author), Wood, Christopher S. (Author), Ga, Zhang (Author), Jones, Caroline A (Contributor)
Other Authors: Massachusetts Institute of Technology. Department of Architecture (Contributor)
Format: Article
Language:English
Published: MIT Press, 2018-03-02T20:03:52Z.
Subjects:
Online Access:Get fulltext
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700 1 0 |a Falguières, Patricia  |e author 
700 1 0 |a Galison, Peter  |e author 
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700 1 0 |a Stakemeier, Kerstin  |e author 
700 1 0 |a Vierkant, Artie  |e author 
700 1 0 |a Wark, McKenzie  |e author 
700 1 0 |a Weizman, Eyal  |e author 
700 1 0 |a Wood, Christopher S.  |e author 
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520 |a Recent philosophical tendencies of "Actor-Network Theory," "Object-Oriented Ontology," and "Speculative Realism" have profoundly challenged the centrality of subjectivity in the humanities, and many artists and curators, particularly in the UK, Germany, and the United States, appear deeply influenced by this shift from epistemology to ontology. October editors asked artists, historians, and philosophers invested in these projects-from Graham Harman and Alexander R. Galloway to Armen Avanessian and Patricia Falguières to Ed Atkins and Amie Siegel-to explore what the rewards and risks of assigning agency to objects may be, and how, or if, such new materialisms can be productive for making and thinking about art today. 
655 7 |a Article 
773 |t October