Computational design of metallophone contact sounds

Metallophones such as glockenspiels produce sounds in response to contact. Building these instruments is a complicated process, limiting their shapes to well-understood designs such as bars. We automatically optimize the shape of arbitrary 2D and 3D objects through deformation and perforation to pro...

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Bibliographic Details
Main Authors: Bharaj, Gaurav (Author), Levin, David I. W. (Author), Tompkin, James (Author), Fei, Yun (Author), Pfister, Hanspeter (Author), Matusik, Wojciech (Contributor), Zheng, Changxi (Author)
Other Authors: Massachusetts Institute of Technology. Computer Science and Artificial Intelligence Laboratory (Contributor), Massachusetts Institute of Technology. Department of Electrical Engineering and Computer Science (Contributor)
Format: Article
Language:English
Published: Association for Computing Machinery (ACM), 2016-01-19T02:43:14Z.
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Online Access:Get fulltext
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100 1 0 |a Bharaj, Gaurav  |e author 
100 1 0 |a Massachusetts Institute of Technology. Computer Science and Artificial Intelligence Laboratory  |e contributor 
100 1 0 |a Massachusetts Institute of Technology. Department of Electrical Engineering and Computer Science  |e contributor 
100 1 0 |a Matusik, Wojciech  |e contributor 
700 1 0 |a Levin, David I. W.  |e author 
700 1 0 |a Tompkin, James  |e author 
700 1 0 |a Fei, Yun  |e author 
700 1 0 |a Pfister, Hanspeter  |e author 
700 1 0 |a Matusik, Wojciech  |e author 
700 1 0 |a Zheng, Changxi  |e author 
245 0 0 |a Computational design of metallophone contact sounds 
260 |b Association for Computing Machinery (ACM),   |c 2016-01-19T02:43:14Z. 
856 |z Get fulltext  |u http://hdl.handle.net/1721.1/100916 
520 |a Metallophones such as glockenspiels produce sounds in response to contact. Building these instruments is a complicated process, limiting their shapes to well-understood designs such as bars. We automatically optimize the shape of arbitrary 2D and 3D objects through deformation and perforation to produce sounds when struck which match user-supplied frequency and amplitude spectra. This optimization requires navigating a complex energy landscape, for which we develop Latin Complement Sampling to both speed up finding minima and provide probabilistic bounds on landscape exploration. Our method produces instruments which perform similarly to those that have been professionally-manufactured, while also expanding the scope of shape and sound that can be realized, e.g., single object chords. Furthermore, we can optimize sound spectra to create overtones and to dampen specific frequencies. Thus our technique allows even novices to design metallophones with unique sound and appearance. 
520 |a National Science Foundation (U.S.) (CAREER-1453101) 
520 |a National Science Foundation (U.S.) (IIS-1116619) 
520 |a National Science Foundation (U.S.) (IIS 1447344) 
520 |a United States. Air Force Research Laboratory 
520 |a United States. Defense Advanced Research Projects Agency. MEMEX Program 
520 |a Intel Corporation 
546 |a en_US 
655 7 |a Article 
773 |t ACM Transactions on Graphics