Mixed Reality

The project called "mixed reality" started by exploring a number of technologies to do with augmented reality (AR), artificial intelligence (AI) and internet of things (IoT) in relation to contemporary art. Through speculation with technology, physical augmented reality (PAR) and its paral...

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Bibliographic Details
Main Author: Tavassoli, Ehsan (Author)
Other Authors: Parry, David (Contributor), Thomson, Andrew (Contributor)
Format: Others
Published: Auckland University of Technology, 2017-07-13T22:29:18Z.
Subjects:
Online Access:Get fulltext
LEADER 01702 am a22003013u 4500
001 10658
042 |a dc 
100 1 0 |a Tavassoli, Ehsan  |e author 
100 1 0 |a Parry, David  |e contributor 
100 1 0 |a Thomson, Andrew  |e contributor 
245 0 0 |a Mixed Reality 
260 |b Auckland University of Technology,   |c 2017-07-13T22:29:18Z. 
520 |a The project called "mixed reality" started by exploring a number of technologies to do with augmented reality (AR), artificial intelligence (AI) and internet of things (IoT) in relation to contemporary art. Through speculation with technology, physical augmented reality (PAR) and its parallel to relational architecture was formally singled out and defined, AI based image analysis was used to encourage participation in the context of interactive art and a formal cloud based serverless microservice oriented software architecture along with all its artifacts and software were defined and implemented. The outcome was an interactive art installation that involved image analysis (e.g. age, gender) and emotion recognition in order to provide an effortless interaction by the interlocutors with the system through IoT based multi-colour light-emitting diodes (LEDs) and text projection. 
540 |a OpenAccess 
546 |a en 
650 0 4 |a Augmented reality 
650 0 4 |a Internet of things 
650 0 4 |a Contemporary art 
650 0 4 |a Interactive art 
650 0 4 |a Emotion detection 
650 0 4 |a Artificial intelligence 
650 0 4 |a Cloud computing 
650 0 4 |a Serverless architecture 
650 0 4 |a Microservices 
650 0 4 |a Image analysis 
650 0 4 |a Movement 
655 7 |a Exegesis 
856 |z Get fulltext  |u http://hdl.handle.net/10292/10658