La représentation du père Brown et du mal dans les nouvelles policières de G. K. Chesterton : The Innocence of Father Brown (1911), entre orthodoxie et hétérodoxie
Chesterton’s choice of Father Brown, a Catholic priest, as the amateur detective of his short stories is not an orthodox one and the unflattering way in which he is portrayed is still less so, although the priest, inspired from a real-life model, turns out to be peerless. He embodies and voices the...
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| Format: | Article |
| Language: | English |
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Centre de Recherche et d'Etudes en Civilisation Britannique
2013-03-01
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| Series: | Revue Française de Civilisation Britannique |
| Online Access: | http://journals.openedition.org/rfcb/3659 |
| Summary: | Chesterton’s choice of Father Brown, a Catholic priest, as the amateur detective of his short stories is not an orthodox one and the unflattering way in which he is portrayed is still less so, although the priest, inspired from a real-life model, turns out to be peerless. He embodies and voices the Christian values shared by his author. But despite the explicit orthodox message, an insidious, subliminal form of heterodoxy filters through: the representation of crime is highly aesthetic and the borderline between good and evil, sometimes blurred. |
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| ISSN: | 0248-9015 2429-4373 |