Two Rodin’s pupils. Malvina Hoffman and Kathleen Bruce between dance, photography and sculpture

In the last years of his career, Auguste Rodin has been the center of a network of relationships between visual artists and dancers. Some pupils and collaborators of the great sculptor saw the dance through his eyes, and it becomes the main subject of their works of art, or an important aspect of th...

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Main Author:	Samantha Marenzi
Format:	Article
Language:	Italian
Published:	University of Bologna 2017-12-01
Series:	Danza e Ricerca
Online Access:	https://danzaericerca.unibo.it/article/view/7672

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spelling	doaj-ffcaf920f84e4f148c406b8d3fd529b02020-11-25T01:31:49ZitaUniversity of BolognaDanza e Ricerca2036-15992017-12-0189377510.6092/issn.2036-1599/76726853Two Rodin’s pupils. Malvina Hoffman and Kathleen Bruce between dance, photography and sculptureSamantha Marenzi0 In the last years of his career, Auguste Rodin has been the center of a network of relationships between visual artists and dancers. Some pupils and collaborators of the great sculptor saw the dance through his eyes, and it becomes the main subject of their works of art, or an important aspect of their biographies. The essay examines the experience of two women, both Rodin’s pupils, using sculpture, photography and the autobiographies as sources of the culture of the dance: Malvina Hoffman, the Anna Pavlova’s sculptor, and the close friend of Isadora Duncan Kathleen Bruce.https://danzaericerca.unibo.it/article/view/7672
collection	DOAJ
language	Italian
format	Article
sources	DOAJ
author	Samantha Marenzi
spellingShingle	Samantha Marenzi Two Rodin’s pupils. Malvina Hoffman and Kathleen Bruce between dance, photography and sculpture Danza e Ricerca
author_facet	Samantha Marenzi
author_sort	Samantha Marenzi
title	Two Rodin’s pupils. Malvina Hoffman and Kathleen Bruce between dance, photography and sculpture
title_short	Two Rodin’s pupils. Malvina Hoffman and Kathleen Bruce between dance, photography and sculpture
title_full	Two Rodin’s pupils. Malvina Hoffman and Kathleen Bruce between dance, photography and sculpture
title_fullStr	Two Rodin’s pupils. Malvina Hoffman and Kathleen Bruce between dance, photography and sculpture
title_full_unstemmed	Two Rodin’s pupils. Malvina Hoffman and Kathleen Bruce between dance, photography and sculpture
title_sort	two rodin’s pupils. malvina hoffman and kathleen bruce between dance, photography and sculpture
publisher	University of Bologna
series	Danza e Ricerca
issn	2036-1599
publishDate	2017-12-01
description	In the last years of his career, Auguste Rodin has been the center of a network of relationships between visual artists and dancers. Some pupils and collaborators of the great sculptor saw the dance through his eyes, and it becomes the main subject of their works of art, or an important aspect of their biographies. The essay examines the experience of two women, both Rodin’s pupils, using sculpture, photography and the autobiographies as sources of the culture of the dance: Malvina Hoffman, the Anna Pavlova’s sculptor, and the close friend of Isadora Duncan Kathleen Bruce.
url	https://danzaericerca.unibo.it/article/view/7672
work_keys_str_mv	AT samanthamarenzi tworodinspupilsmalvinahoffmanandkathleenbrucebetweendancephotographyandsculpture
_version_	1725085123217457152

Two Rodin’s pupils. Malvina Hoffman and Kathleen Bruce between dance, photography and sculpture

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