"Któż tam będzie wisiał?" – Bunt chłopski w miejskiej wyobraźni

“Who’s going to dangle there?” – Peasant revolt in urban imagination. On the Gore album by R.U.T.A. and on its reception The author presents a review of a recent album “Gore: Songs of Rebellion and Misery from 16th to 20th Century” by a Polish punk rock / hardcore group R.U.T.A. The album, which co...

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Bibliographic Details
Main Author: Marcin Starnawski
Format: Article
Language:English
Published: Institute of Slavic Studies, Polish Academy of Sciences 2012-12-01
Series:Studia Litteraria et Historica
Subjects:
Online Access:https://ispan.waw.pl/journals/index.php/slh/article/view/4
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spelling doaj-ffa77f1d7e2d48dc941eee41611897682020-11-24T22:57:46ZengInstitute of Slavic Studies, Polish Academy of SciencesStudia Litteraria et Historica2299-75712012-12-010115210.11649/slh.2012.0033"Któż tam będzie wisiał?" – Bunt chłopski w miejskiej wyobraźniMarcin Starnawski0Dolnośląska Szkoła Wyższa [University of Lower Silesia], Wrocław“Who’s going to dangle there?” – Peasant revolt in urban imagination. On the Gore album by R.U.T.A. and on its reception The author presents a review of a recent album “Gore: Songs of Rebellion and Misery from 16th to 20th Century” by a Polish punk rock / hardcore group R.U.T.A. The album, which combines traditional peasant lyrics with modern arrangements and folk instruments, has received acclaim from both fans and critics, while the band declared their commitment to struggles of contemporary progressive social movements. The author analyses the lyrics situating his reflection in sociological-historical framework to discuss realities of peasants’ lives and revolts during the second serfdom in early modern Poland. The author interprets the musical form of the songs as “punk-rock assimilation” of folklore themes. The final section contains critical reflection on the album’s marketing strategy and reception with the key dissected categories being “rebellion” and “authenticity.”https://ispan.waw.pl/journals/index.php/slh/article/view/4R.U.T.A.feudalismclassismfolklorepunkrockcontestationfolk mania„chłopomania”/ peasant maniaauthenticityrevoltviolence
collection DOAJ
language English
format Article
sources DOAJ
author Marcin Starnawski
spellingShingle Marcin Starnawski
"Któż tam będzie wisiał?" – Bunt chłopski w miejskiej wyobraźni
Studia Litteraria et Historica
R.U.T.A.
feudalism
classism
folklore
punkrock
contestation
folk mania
„chłopomania”/ peasant mania
authenticity
revolt
violence
author_facet Marcin Starnawski
author_sort Marcin Starnawski
title "Któż tam będzie wisiał?" – Bunt chłopski w miejskiej wyobraźni
title_short "Któż tam będzie wisiał?" – Bunt chłopski w miejskiej wyobraźni
title_full "Któż tam będzie wisiał?" – Bunt chłopski w miejskiej wyobraźni
title_fullStr "Któż tam będzie wisiał?" – Bunt chłopski w miejskiej wyobraźni
title_full_unstemmed "Któż tam będzie wisiał?" – Bunt chłopski w miejskiej wyobraźni
title_sort "któż tam będzie wisiał?" – bunt chłopski w miejskiej wyobraźni
publisher Institute of Slavic Studies, Polish Academy of Sciences
series Studia Litteraria et Historica
issn 2299-7571
publishDate 2012-12-01
description “Who’s going to dangle there?” – Peasant revolt in urban imagination. On the Gore album by R.U.T.A. and on its reception The author presents a review of a recent album “Gore: Songs of Rebellion and Misery from 16th to 20th Century” by a Polish punk rock / hardcore group R.U.T.A. The album, which combines traditional peasant lyrics with modern arrangements and folk instruments, has received acclaim from both fans and critics, while the band declared their commitment to struggles of contemporary progressive social movements. The author analyses the lyrics situating his reflection in sociological-historical framework to discuss realities of peasants’ lives and revolts during the second serfdom in early modern Poland. The author interprets the musical form of the songs as “punk-rock assimilation” of folklore themes. The final section contains critical reflection on the album’s marketing strategy and reception with the key dissected categories being “rebellion” and “authenticity.”
topic R.U.T.A.
feudalism
classism
folklore
punkrock
contestation
folk mania
„chłopomania”/ peasant mania
authenticity
revolt
violence
url https://ispan.waw.pl/journals/index.php/slh/article/view/4
work_keys_str_mv AT marcinstarnawski ktoztambedziewisiałbuntchłopskiwmiejskiejwyobrazni
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