The <i>skaz</i> narrative mode in short stories by W. C. Scully, Percy FitzPatrick, Perceval Gibbon and Herman Charles Bosman

While an overwhelming amount of cultural activity worldwide has been (and is being) conducted in societies which had (or have) very little or no knowledge at all of writing, and which can therefore be described as predominantly ‘oral’ cultures, very little attempt has been made in the field of South...

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Main Author: C. MacKenzie
Format: Article
Language:Afrikaans
Published: AOSIS 1993-05-01
Series:Literator
Online Access:https://literator.org.za/index.php/literator/article/view/708
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spelling doaj-fe901ec35fc6480197ec2dd19e614b4e2020-11-24T22:54:14ZafrAOSISLiterator0258-22792219-82371993-05-0114312010.4102/lit.v14i3.708647The <i>skaz</i> narrative mode in short stories by W. C. Scully, Percy FitzPatrick, Perceval Gibbon and Herman Charles BosmanC. MacKenzie0Rand Afrikaans UniversityWhile an overwhelming amount of cultural activity worldwide has been (and is being) conducted in societies which had (or have) very little or no knowledge at all of writing, and which can therefore be described as predominantly ‘oral’ cultures, very little attempt has been made in the field of South African literature to examine how oral modes of cultural exchange influence and interpenetrate the more recent written (literary) modes. South Africa is a region which has several rich oral traditions and it is therefore important to explore how aspects of these traditions are incorporated into (written) literature. This paper looks at the use of the fictional narrator and skaz (the Russian Formalist term meaning 'speech') in some South African short stories by Scully, FitzPatrick, Gibbon and Bosman. It is argued that whereas Scully and FitzPatrick produce only partially successful narratives in the skaz style, Gibbon and Bosman introduce greater artistic and ideological complexity to the form.https://literator.org.za/index.php/literator/article/view/708
collection DOAJ
language Afrikaans
format Article
sources DOAJ
author C. MacKenzie
spellingShingle C. MacKenzie
The <i>skaz</i> narrative mode in short stories by W. C. Scully, Percy FitzPatrick, Perceval Gibbon and Herman Charles Bosman
Literator
author_facet C. MacKenzie
author_sort C. MacKenzie
title The <i>skaz</i> narrative mode in short stories by W. C. Scully, Percy FitzPatrick, Perceval Gibbon and Herman Charles Bosman
title_short The <i>skaz</i> narrative mode in short stories by W. C. Scully, Percy FitzPatrick, Perceval Gibbon and Herman Charles Bosman
title_full The <i>skaz</i> narrative mode in short stories by W. C. Scully, Percy FitzPatrick, Perceval Gibbon and Herman Charles Bosman
title_fullStr The <i>skaz</i> narrative mode in short stories by W. C. Scully, Percy FitzPatrick, Perceval Gibbon and Herman Charles Bosman
title_full_unstemmed The <i>skaz</i> narrative mode in short stories by W. C. Scully, Percy FitzPatrick, Perceval Gibbon and Herman Charles Bosman
title_sort <i>skaz</i> narrative mode in short stories by w. c. scully, percy fitzpatrick, perceval gibbon and herman charles bosman
publisher AOSIS
series Literator
issn 0258-2279
2219-8237
publishDate 1993-05-01
description While an overwhelming amount of cultural activity worldwide has been (and is being) conducted in societies which had (or have) very little or no knowledge at all of writing, and which can therefore be described as predominantly ‘oral’ cultures, very little attempt has been made in the field of South African literature to examine how oral modes of cultural exchange influence and interpenetrate the more recent written (literary) modes. South Africa is a region which has several rich oral traditions and it is therefore important to explore how aspects of these traditions are incorporated into (written) literature. This paper looks at the use of the fictional narrator and skaz (the Russian Formalist term meaning 'speech') in some South African short stories by Scully, FitzPatrick, Gibbon and Bosman. It is argued that whereas Scully and FitzPatrick produce only partially successful narratives in the skaz style, Gibbon and Bosman introduce greater artistic and ideological complexity to the form.
url https://literator.org.za/index.php/literator/article/view/708
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