Digital Preservation of Indigenous Culture and Narratives from the Global South: In Search of an Approach

This research seeks to digitally preserve cultural histories and artifacts, which are practiced/produced in the underserved indigenous spaces of rural eastern India. This paper is a case study of co-developing <i>Sangraksha</i>&#8212;a digital humanities application. The application...

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Main Author: Uttaran Dutta
Format: Article
Language:English
Published: MDPI AG 2019-03-01
Series:Humanities
Subjects:
Online Access:https://www.mdpi.com/2076-0787/8/2/68
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spelling doaj-fe7244bf4abb4cbfaeef49fed619a3402020-11-25T00:52:24ZengMDPI AGHumanities2076-07872019-03-01826810.3390/h8020068h8020068Digital Preservation of Indigenous Culture and Narratives from the Global South: In Search of an ApproachUttaran Dutta0The Hugh Downs School of Human Communication, Arizona State University, Tempe, AZ 85281, USAThis research seeks to digitally preserve cultural histories and artifacts, which are practiced/produced in the underserved indigenous spaces of rural eastern India. This paper is a case study of co-developing <i>Sangraksha</i>&#8212;a digital humanities application. The application seeks to facilitate the process of writing history from the below by underrepresented populations at the margins. The villages in this research were geographically remote and socio-economically underdeveloped. The research populations represented individuals who possessed low levels of literacy, limited language proficiency in English and mainstream Indic languages (e.g., Hindi and Bengali), as well as limited familiarity with computers and computing environments. Grounded in long-term ethnographic engagements in the remote Global South, this study explored a range of cultural, aesthetic, and contextual factors that were instrumental in shaping and co-generating digital humanities solutions for under-researched international populations. On one hand, the research initiative sought to co-create a culturally meaningful and welcoming digital environment to make the experience contextually appropriate and user-friendly. On the other hand, grounded in visual and sensory methodologies, this research used community generated imageries and multimedia (audio, photographs and audio-visual) to make the application inclusive and accessible. Moreover, the application-development attempt also paid close attention to intercultural, local-centric, community-driven co-design aspects to make the approach socially-embedded and sustainable in the long term.https://www.mdpi.com/2076-0787/8/2/68digital divideindigenousIndia
collection DOAJ
language English
format Article
sources DOAJ
author Uttaran Dutta
spellingShingle Uttaran Dutta
Digital Preservation of Indigenous Culture and Narratives from the Global South: In Search of an Approach
Humanities
digital divide
indigenous
India
author_facet Uttaran Dutta
author_sort Uttaran Dutta
title Digital Preservation of Indigenous Culture and Narratives from the Global South: In Search of an Approach
title_short Digital Preservation of Indigenous Culture and Narratives from the Global South: In Search of an Approach
title_full Digital Preservation of Indigenous Culture and Narratives from the Global South: In Search of an Approach
title_fullStr Digital Preservation of Indigenous Culture and Narratives from the Global South: In Search of an Approach
title_full_unstemmed Digital Preservation of Indigenous Culture and Narratives from the Global South: In Search of an Approach
title_sort digital preservation of indigenous culture and narratives from the global south: in search of an approach
publisher MDPI AG
series Humanities
issn 2076-0787
publishDate 2019-03-01
description This research seeks to digitally preserve cultural histories and artifacts, which are practiced/produced in the underserved indigenous spaces of rural eastern India. This paper is a case study of co-developing <i>Sangraksha</i>&#8212;a digital humanities application. The application seeks to facilitate the process of writing history from the below by underrepresented populations at the margins. The villages in this research were geographically remote and socio-economically underdeveloped. The research populations represented individuals who possessed low levels of literacy, limited language proficiency in English and mainstream Indic languages (e.g., Hindi and Bengali), as well as limited familiarity with computers and computing environments. Grounded in long-term ethnographic engagements in the remote Global South, this study explored a range of cultural, aesthetic, and contextual factors that were instrumental in shaping and co-generating digital humanities solutions for under-researched international populations. On one hand, the research initiative sought to co-create a culturally meaningful and welcoming digital environment to make the experience contextually appropriate and user-friendly. On the other hand, grounded in visual and sensory methodologies, this research used community generated imageries and multimedia (audio, photographs and audio-visual) to make the application inclusive and accessible. Moreover, the application-development attempt also paid close attention to intercultural, local-centric, community-driven co-design aspects to make the approach socially-embedded and sustainable in the long term.
topic digital divide
indigenous
India
url https://www.mdpi.com/2076-0787/8/2/68
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