Når fuglen flyr: Høyest elsket som eksperimentell utviklingsroman
Høyest elsket (2000) by Hilde Hagerup is a complex novel. Its form is both traditional and experimental. This article explores how form consistently underlines and emphasizes content and affects how we understand Elisa, the main character. The analysis focuses on substantial and original formal fea...
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Svenska Barnboksinstitutet
2015-12-01
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Series: | Barnboken: Tidskrift för Barnlitteraturforskning |
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Online Access: | https://www.barnboken.net/index.php/clr/article/view/217 |
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doaj-fdc5f12d78914cfda92557ee14997d352020-11-25T02:10:10ZdanSvenska BarnboksinstitutetBarnboken: Tidskrift för Barnlitteraturforskning0347-772X2000-43892015-12-013810.14811/clr.v38i0.217Når fuglen flyr: Høyest elsket som eksperimentell utviklingsromanAasta Marie Bjorvand Bjørkøy Høyest elsket (2000) by Hilde Hagerup is a complex novel. Its form is both traditional and experimental. This article explores how form consistently underlines and emphasizes content and affects how we understand Elisa, the main character. The analysis focuses on substantial and original formal features and their effects. The literary techniques that disrupt what is traditionally epic, are especially important for our understanding of Elisa. Elisa’s inner chaos is highlighted by linguistic, stylistic and compositional traits, which create a demanding, exhausting text. The open and indeterminate, chaotic and shifting text, contributes to the novel’s literary quality as well as to its (post)modernist character. In that way, the literary text reflects formally Elisa’s challenging reality, and Elisa’s need for peace, calm and harmony is transferred to the reader. https://www.barnboken.net/index.php/clr/article/view/217Hilde HagerupidentityLeerstellenintertextualitypolyphony(post)modernism |
collection |
DOAJ |
language |
Danish |
format |
Article |
sources |
DOAJ |
author |
Aasta Marie Bjorvand Bjørkøy |
spellingShingle |
Aasta Marie Bjorvand Bjørkøy Når fuglen flyr: Høyest elsket som eksperimentell utviklingsroman Barnboken: Tidskrift för Barnlitteraturforskning Hilde Hagerup identity Leerstellen intertextuality polyphony (post)modernism |
author_facet |
Aasta Marie Bjorvand Bjørkøy |
author_sort |
Aasta Marie Bjorvand Bjørkøy |
title |
Når fuglen flyr: Høyest elsket som eksperimentell utviklingsroman |
title_short |
Når fuglen flyr: Høyest elsket som eksperimentell utviklingsroman |
title_full |
Når fuglen flyr: Høyest elsket som eksperimentell utviklingsroman |
title_fullStr |
Når fuglen flyr: Høyest elsket som eksperimentell utviklingsroman |
title_full_unstemmed |
Når fuglen flyr: Høyest elsket som eksperimentell utviklingsroman |
title_sort |
når fuglen flyr: høyest elsket som eksperimentell utviklingsroman |
publisher |
Svenska Barnboksinstitutet |
series |
Barnboken: Tidskrift för Barnlitteraturforskning |
issn |
0347-772X 2000-4389 |
publishDate |
2015-12-01 |
description |
Høyest elsket (2000) by Hilde Hagerup is a complex novel. Its form is both traditional and experimental. This article explores how form consistently underlines and emphasizes content and affects how we understand Elisa, the main character. The analysis focuses on substantial and original formal features and their effects. The literary techniques that disrupt what is traditionally epic, are especially important for our understanding of Elisa. Elisa’s inner chaos is highlighted by linguistic, stylistic and compositional traits, which create a demanding, exhausting text. The open and indeterminate, chaotic and shifting text, contributes to the novel’s literary quality as well as to its (post)modernist character. In that way, the literary text reflects formally Elisa’s challenging reality, and Elisa’s need for peace, calm and harmony is transferred to the reader.
|
topic |
Hilde Hagerup identity Leerstellen intertextuality polyphony (post)modernism |
url |
https://www.barnboken.net/index.php/clr/article/view/217 |
work_keys_str_mv |
AT aastamariebjorvandbjørkøy narfuglenflyrhøyestelsketsomeksperimentellutviklingsroman |
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1724920402339168256 |