Disharmonious designs – Colour contrast and curiosity in Jane Campion’s IN THE CUT
An analysis of colour in Jane Campion’s IN THE CUT (2003) finds that the juxtaposition of red with its complementary colour green maps the visual connections and intercommunications of the female protagonist Frannie Avery and her sister Pauline. The chromatic schema of IN THE CUT juxtaposes red and...
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| Format: | Article |
| Language: | English |
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Amsterdam University Press
2013-01-01
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| Series: | NECSUS : European journal of media studies |
| Online Access: | https://www.necsus-ejms.org/test/disharmonious-designs-colour-contrast-and-curiosity-in-jane-campions-in-the-cut/ |