No Country for Old X-Men: The Aging Hero in No Country for Old Men and Logan

The American Western is imbued with a particular elasticity, which allowed it to stay relevant for decades. One of the recent developments in the genre seems to be its focus on the aging frontiersman – a hero past its prime. A faithful adaptation of Cormac McCarthy’s 2005 novel, the Coen brothers’ e...

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Main Authors: Ljubica Matek, Zvonimir Prtenjača
Format: Article
Language:English
Published: University of Zadar 2020-06-01
Series:[sic]
Online Access:http://www.sic-journal.org/ArticleView.aspx?aid=611
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spelling doaj-fd6d61570cbb4554b8c75b5b32aa7e562021-06-16T09:34:49ZengUniversity of Zadar[sic]1847-77552020-06-0110310.15291/sic/3.10.lc.2611No Country for Old X-Men: The Aging Hero in No Country for Old Men and LoganLjubica MatekZvonimir PrtenjačaThe American Western is imbued with a particular elasticity, which allowed it to stay relevant for decades. One of the recent developments in the genre seems to be its focus on the aging frontiersman – a hero past its prime. A faithful adaptation of Cormac McCarthy’s 2005 novel, the Coen brothers’ eponymous film No Country for Old Men (2007), departs from the traditional Western by outlining an aging lawman, Sheriff Ed Tom Bell, struggling to live up to his role. Similarly, James Mangold’s Logan (2017) forces the titular pop-cultural superhero icon to endure the deconstruction of its archetypal alter ego, the Wolverine. The underlying themes of the two films intersect, representing their aging protagonists both as evocations of their own previous, abler selves, and as elderly frontiersmen in a world with hardly any space for aged (super)heroes. Their fluctuating identities challenge the traditional, idealistic representations of patriarchal Western heroes by introducing a more realistic and complex concept of an aging hero both into the universe of the neo-Western genre and into popular culture.http://www.sic-journal.org/ArticleView.aspx?aid=611
collection DOAJ
language English
format Article
sources DOAJ
author Ljubica Matek
Zvonimir Prtenjača
spellingShingle Ljubica Matek
Zvonimir Prtenjača
No Country for Old X-Men: The Aging Hero in No Country for Old Men and Logan
[sic]
author_facet Ljubica Matek
Zvonimir Prtenjača
author_sort Ljubica Matek
title No Country for Old X-Men: The Aging Hero in No Country for Old Men and Logan
title_short No Country for Old X-Men: The Aging Hero in No Country for Old Men and Logan
title_full No Country for Old X-Men: The Aging Hero in No Country for Old Men and Logan
title_fullStr No Country for Old X-Men: The Aging Hero in No Country for Old Men and Logan
title_full_unstemmed No Country for Old X-Men: The Aging Hero in No Country for Old Men and Logan
title_sort no country for old x-men: the aging hero in no country for old men and logan
publisher University of Zadar
series [sic]
issn 1847-7755
publishDate 2020-06-01
description The American Western is imbued with a particular elasticity, which allowed it to stay relevant for decades. One of the recent developments in the genre seems to be its focus on the aging frontiersman – a hero past its prime. A faithful adaptation of Cormac McCarthy’s 2005 novel, the Coen brothers’ eponymous film No Country for Old Men (2007), departs from the traditional Western by outlining an aging lawman, Sheriff Ed Tom Bell, struggling to live up to his role. Similarly, James Mangold’s Logan (2017) forces the titular pop-cultural superhero icon to endure the deconstruction of its archetypal alter ego, the Wolverine. The underlying themes of the two films intersect, representing their aging protagonists both as evocations of their own previous, abler selves, and as elderly frontiersmen in a world with hardly any space for aged (super)heroes. Their fluctuating identities challenge the traditional, idealistic representations of patriarchal Western heroes by introducing a more realistic and complex concept of an aging hero both into the universe of the neo-Western genre and into popular culture.
url http://www.sic-journal.org/ArticleView.aspx?aid=611
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