Métaphores du beau et signes visuels dans la pensée de Calvin

The struggle against the idols has concealed an important element of Calvin’s theology : it is open to aesthetics, when the picture passes of the status of liturgical object in that of work of art. His view of God continually refers to beauty and art, for which he makes use of metaphors. His aesthet...

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Bibliographic Details
Main Author: Jérôme Cottin
Format: Article
Language:fra
Published: Laboratoire de Recherche Historique Rhône-Alpes (LARHRA UMR 5190) 2011-07-01
Series:Chrétiens et Sociétés
Subjects:
Art
Online Access:http://journals.openedition.org/chretienssocietes/2724
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spelling doaj-fd652251309540cc81290f2be6e58be52020-11-24T22:08:44ZfraLaboratoire de Recherche Historique Rhône-Alpes (LARHRA UMR 5190)Chrétiens et Sociétés1257-127X1965-08092011-07-01153610.4000/chretienssocietes.2724Métaphores du beau et signes visuels dans la pensée de CalvinJérôme CottinThe struggle against the idols has concealed an important element of Calvin’s theology : it is open to aesthetics, when the picture passes of the status of liturgical object in that of work of art. His view of God continually refers to beauty and art, for which he makes use of metaphors. His aesthetics comes to light in his theology of creation and of the sacraments. It is sustained by a differentiated theory of signs, i.e. both linguistic and plastic elements. For that reason, it seems really modern.http://journals.openedition.org/chretienssocietes/2724ArtCalvin (Jean)IdolsWorks of art
collection DOAJ
language fra
format Article
sources DOAJ
author Jérôme Cottin
spellingShingle Jérôme Cottin
Métaphores du beau et signes visuels dans la pensée de Calvin
Chrétiens et Sociétés
Art
Calvin (Jean)
Idols
Works of art
author_facet Jérôme Cottin
author_sort Jérôme Cottin
title Métaphores du beau et signes visuels dans la pensée de Calvin
title_short Métaphores du beau et signes visuels dans la pensée de Calvin
title_full Métaphores du beau et signes visuels dans la pensée de Calvin
title_fullStr Métaphores du beau et signes visuels dans la pensée de Calvin
title_full_unstemmed Métaphores du beau et signes visuels dans la pensée de Calvin
title_sort métaphores du beau et signes visuels dans la pensée de calvin
publisher Laboratoire de Recherche Historique Rhône-Alpes (LARHRA UMR 5190)
series Chrétiens et Sociétés
issn 1257-127X
1965-0809
publishDate 2011-07-01
description The struggle against the idols has concealed an important element of Calvin’s theology : it is open to aesthetics, when the picture passes of the status of liturgical object in that of work of art. His view of God continually refers to beauty and art, for which he makes use of metaphors. His aesthetics comes to light in his theology of creation and of the sacraments. It is sustained by a differentiated theory of signs, i.e. both linguistic and plastic elements. For that reason, it seems really modern.
topic Art
Calvin (Jean)
Idols
Works of art
url http://journals.openedition.org/chretienssocietes/2724
work_keys_str_mv AT jeromecottin metaphoresdubeauetsignesvisuelsdanslapenseedecalvin
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