Non siamo liberi di non innamorarci. Conversazione con Semir Zeki

The interview is based on some thesis of Semir Zeki’s last book, Splendours and Miseries of the Brain. The founder of the International Institute of Neuroaesthetics (London 2001) wrote that a very different kind of knowledge can be acquired by the brain in the experience of art. It seems that he rec...

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Main Author: Anna Li Vigni
Format: Article
Language:English
Published: Rosenberg & Sellier 2012-04-01
Series:Rivista di Estetica
Online Access:http://journals.openedition.org/estetica/1727
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spelling doaj-fd333bdc84c24dccb3353fdda4e5d4d02020-11-24T23:21:41ZengRosenberg & SellierRivista di Estetica0035-62122421-58642012-04-014937738410.4000/estetica.1727Non siamo liberi di non innamorarci. Conversazione con Semir ZekiAnna Li VigniThe interview is based on some thesis of Semir Zeki’s last book, Splendours and Miseries of the Brain. The founder of the International Institute of Neuroaesthetics (London 2001) wrote that a very different kind of knowledge can be acquired by the brain in the experience of art. It seems that he recognizes there can be a kind of “intelligence” in perception, while he writes about microcosciences of perception being located in the same areas where the information coming from the outside is elaborated and perceived. He explains the distinction between inherited “concepts” and acquired synthetic “concepts” of the visual brain. The theory of acquired concepts could also help in explaining the problem of taste: it seems that what we like in our lives is determined by the result (the synthesis) of those probabilities coming from our acquired synthetic brain concepts. Thus there wouldn’t be any free will in our aesthetical and love choices.http://journals.openedition.org/estetica/1727
collection DOAJ
language English
format Article
sources DOAJ
author Anna Li Vigni
spellingShingle Anna Li Vigni
Non siamo liberi di non innamorarci. Conversazione con Semir Zeki
Rivista di Estetica
author_facet Anna Li Vigni
author_sort Anna Li Vigni
title Non siamo liberi di non innamorarci. Conversazione con Semir Zeki
title_short Non siamo liberi di non innamorarci. Conversazione con Semir Zeki
title_full Non siamo liberi di non innamorarci. Conversazione con Semir Zeki
title_fullStr Non siamo liberi di non innamorarci. Conversazione con Semir Zeki
title_full_unstemmed Non siamo liberi di non innamorarci. Conversazione con Semir Zeki
title_sort non siamo liberi di non innamorarci. conversazione con semir zeki
publisher Rosenberg & Sellier
series Rivista di Estetica
issn 0035-6212
2421-5864
publishDate 2012-04-01
description The interview is based on some thesis of Semir Zeki’s last book, Splendours and Miseries of the Brain. The founder of the International Institute of Neuroaesthetics (London 2001) wrote that a very different kind of knowledge can be acquired by the brain in the experience of art. It seems that he recognizes there can be a kind of “intelligence” in perception, while he writes about microcosciences of perception being located in the same areas where the information coming from the outside is elaborated and perceived. He explains the distinction between inherited “concepts” and acquired synthetic “concepts” of the visual brain. The theory of acquired concepts could also help in explaining the problem of taste: it seems that what we like in our lives is determined by the result (the synthesis) of those probabilities coming from our acquired synthetic brain concepts. Thus there wouldn’t be any free will in our aesthetical and love choices.
url http://journals.openedition.org/estetica/1727
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