Aesthetic Response of Audiences’ Behavior of Dangdut Koplo Music Performance
Dangdut Koplo music performances are favored and watched by the public. This is able to generate an aesthetic response of the audiences, which is shown by their behavior. This study aims to examine the aesthetic response of audience behavior of dangdut koplo music performances in Pekalongan. This re...
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Universitas Negeri Semarang
2020-12-01
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doaj-fd1e2eb2bdf4441aa4ac8c16c9c4e9e72021-02-11T00:23:29ZengUniversitas Negeri SemarangHarmonia: Journal of Arts Research and Education2541-16832541-24262020-12-0120220521210.15294/harmonia.v20i2.2805910579Aesthetic Response of Audiences’ Behavior of Dangdut Koplo Music PerformanceTheresia Ratna Wiharyanti0Totok Sumaryanto Florentinus1Udi Utomo2Universitas Negeri Semarang, IndonesiaUniversitas Negeri Semarang, IndonesiaUniversitas Negeri Semarang, IndonesiaDangdut Koplo music performances are favored and watched by the public. This is able to generate an aesthetic response of the audiences, which is shown by their behavior. This study aims to examine the aesthetic response of audience behavior of dangdut koplo music performances in Pekalongan. This research uses qualitative methods, data collection using observation, interview, and document study techniques. Data analysis procedures used data reduction, data presentation, and data verification. The validity of the data used is triangulation, data sources, and theory. The results showed that the aesthetic response in the audience behavior of dangdut koplo music performance in Kalirejo village, Talun, Pekalongan Regency had a positive response that led to behavior, such as (1) dancing with friends in groups or alone; (2) Menyawer (giving some money); and (3) notice the show schedule. Based on the research results, it can be suggested: (1) can broaden the insight and description of the development of music, especially dangdut koplo music in the present era, (2) can be taken into consideration how the impact of dangdut koplo on the behavior of dangdut koplo music performances.https://journal.unnes.ac.id/nju/index.php/harmonia/article/view/28059aesthetic responsebehaviordangdut koplomusic |
collection |
DOAJ |
language |
English |
format |
Article |
sources |
DOAJ |
author |
Theresia Ratna Wiharyanti Totok Sumaryanto Florentinus Udi Utomo |
spellingShingle |
Theresia Ratna Wiharyanti Totok Sumaryanto Florentinus Udi Utomo Aesthetic Response of Audiences’ Behavior of Dangdut Koplo Music Performance Harmonia: Journal of Arts Research and Education aesthetic response behavior dangdut koplo music |
author_facet |
Theresia Ratna Wiharyanti Totok Sumaryanto Florentinus Udi Utomo |
author_sort |
Theresia Ratna Wiharyanti |
title |
Aesthetic Response of Audiences’ Behavior of Dangdut Koplo Music Performance |
title_short |
Aesthetic Response of Audiences’ Behavior of Dangdut Koplo Music Performance |
title_full |
Aesthetic Response of Audiences’ Behavior of Dangdut Koplo Music Performance |
title_fullStr |
Aesthetic Response of Audiences’ Behavior of Dangdut Koplo Music Performance |
title_full_unstemmed |
Aesthetic Response of Audiences’ Behavior of Dangdut Koplo Music Performance |
title_sort |
aesthetic response of audiences’ behavior of dangdut koplo music performance |
publisher |
Universitas Negeri Semarang |
series |
Harmonia: Journal of Arts Research and Education |
issn |
2541-1683 2541-2426 |
publishDate |
2020-12-01 |
description |
Dangdut Koplo music performances are favored and watched by the public. This is able to generate an aesthetic response of the audiences, which is shown by their behavior. This study aims to examine the aesthetic response of audience behavior of dangdut koplo music performances in Pekalongan. This research uses qualitative methods, data collection using observation, interview, and document study techniques. Data analysis procedures used data reduction, data presentation, and data verification. The validity of the data used is triangulation, data sources, and theory. The results showed that the aesthetic response in the audience behavior of dangdut koplo music performance in Kalirejo village, Talun, Pekalongan Regency had a positive response that led to behavior, such as (1) dancing with friends in groups or alone; (2) Menyawer (giving some money); and (3) notice the show schedule. Based on the research results, it can be suggested: (1) can broaden the insight and description of the development of music, especially dangdut koplo music in the present era, (2) can be taken into consideration how the impact of dangdut koplo on the behavior of dangdut koplo music performances. |
topic |
aesthetic response behavior dangdut koplo music |
url |
https://journal.unnes.ac.id/nju/index.php/harmonia/article/view/28059 |
work_keys_str_mv |
AT theresiaratnawiharyanti aestheticresponseofaudiencesbehaviorofdangdutkoplomusicperformance AT totoksumaryantoflorentinus aestheticresponseofaudiencesbehaviorofdangdutkoplomusicperformance AT udiutomo aestheticresponseofaudiencesbehaviorofdangdutkoplomusicperformance |
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