Les marbres dans la décoration du Palais royal de Madrid

The construction of the Royal Palace of Madrid marked a turning point in the history of Spanish art. The interior decoration used a profusion of marble and ornamental stone, chosen for their colour and rarity. In the eighteenth century it was decided to decorate the walls of the palace’s main rooms,...

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Main Author: María Luisa Tárraga Baldó
Format: Article
Language:English
Published: Centre de Recherche du Château de Versailles 2013-01-01
Series:Bulletin du Centre de Recherche du Château de Versailles
Online Access:http://journals.openedition.org/crcv/11988
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spelling doaj-fc8e87c8ea61477799a1f999c977613c2020-11-24T22:01:16ZengCentre de Recherche du Château de VersaillesBulletin du Centre de Recherche du Château de Versailles1958-92712013-01-0110.4000/crcv.11988Les marbres dans la décoration du Palais royal de MadridMaría Luisa Tárraga BaldóThe construction of the Royal Palace of Madrid marked a turning point in the history of Spanish art. The interior decoration used a profusion of marble and ornamental stone, chosen for their colour and rarity. In the eighteenth century it was decided to decorate the walls of the palace’s main rooms, to leave no wall without marble. The desire to imitate the Italian masons who executed the tabernacle and the altar of the Escorial chapel is clearly evident. These works have long been cause for national pride. For the decoration of the Royal Palace of Madrid, Philip V and his successors decided to use only Spanish materials. This exclusivity led to an exploratory campaign and geological exploitation of the territory, which provided comprehensive national orographic information until 1748 when Ferdinand VI allowed the opening of private quarries to continue the work.http://journals.openedition.org/crcv/11988
collection DOAJ
language English
format Article
sources DOAJ
author María Luisa Tárraga Baldó
spellingShingle María Luisa Tárraga Baldó
Les marbres dans la décoration du Palais royal de Madrid
Bulletin du Centre de Recherche du Château de Versailles
author_facet María Luisa Tárraga Baldó
author_sort María Luisa Tárraga Baldó
title Les marbres dans la décoration du Palais royal de Madrid
title_short Les marbres dans la décoration du Palais royal de Madrid
title_full Les marbres dans la décoration du Palais royal de Madrid
title_fullStr Les marbres dans la décoration du Palais royal de Madrid
title_full_unstemmed Les marbres dans la décoration du Palais royal de Madrid
title_sort les marbres dans la décoration du palais royal de madrid
publisher Centre de Recherche du Château de Versailles
series Bulletin du Centre de Recherche du Château de Versailles
issn 1958-9271
publishDate 2013-01-01
description The construction of the Royal Palace of Madrid marked a turning point in the history of Spanish art. The interior decoration used a profusion of marble and ornamental stone, chosen for their colour and rarity. In the eighteenth century it was decided to decorate the walls of the palace’s main rooms, to leave no wall without marble. The desire to imitate the Italian masons who executed the tabernacle and the altar of the Escorial chapel is clearly evident. These works have long been cause for national pride. For the decoration of the Royal Palace of Madrid, Philip V and his successors decided to use only Spanish materials. This exclusivity led to an exploratory campaign and geological exploitation of the territory, which provided comprehensive national orographic information until 1748 when Ferdinand VI allowed the opening of private quarries to continue the work.
url http://journals.openedition.org/crcv/11988
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