Ni de aquí ni de allá: the Dreamers’ Audiovisual Self-Narration and Representation

In recent years, the US immigration system has shown increasing signs of failure, as it seems unable to cope with the flows of immigration nor the consolidated existence of undocumented immigrants in the country. In spite of the intense ongoing public debate on the topic, the immigrants’ perspective...

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Main Author: Anna Marta Marini
Format: Article
Language:English
Published: University of Bologna 2019-12-01
Series:Cinergie
Subjects:
Online Access:https://cinergie.unibo.it/article/view/9580
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spelling doaj-fc24e009c4e04d4c8e09a329a7c978042020-11-25T01:31:19ZengUniversity of BolognaCinergie2280-94812019-12-0181610511410.6092/issn.2280-9481/95808673Ni de aquí ni de allá: the Dreamers’ Audiovisual Self-Narration and RepresentationAnna Marta Marini0Instituto Franklin-UAHIn recent years, the US immigration system has shown increasing signs of failure, as it seems unable to cope with the flows of immigration nor the consolidated existence of undocumented immigrants in the country. In spite of the intense ongoing public debate on the topic, the immigrants’ perspective is often absent; the immigrant community itself—whether documented or not—is often rendered invisible and voiceless in the public sphere. Consequently, grassroot immigrant activism movements have emerged and with them a diverse production of audiovisual products related to immigrant justice. Among the most active organizations, those related to undocumented youth certainly stand out; in particular, it’s prominent the engagement of the Dreamers, recipients or potential recipients of the DACA (Deferred Action for Childhood Arrivals) program established in 2012. Documentaries and activist videos related to immigrant justice are chiefly participatory and rely on storytelling, exploiting the effectiveness of personal experiences in stimulating interest, awareness and compassion in the public. Young undocumented people admit to their controversial status using video as a mean of expression, resistance and freedom, voicing their commitment and struggle to fit in the American society, their fear of deportation and the downsides intrinsic to the DACA opportunity.https://cinergie.unibo.it/article/view/9580immigrationdocumentaryunited statesundocumenteddaca
collection DOAJ
language English
format Article
sources DOAJ
author Anna Marta Marini
spellingShingle Anna Marta Marini
Ni de aquí ni de allá: the Dreamers’ Audiovisual Self-Narration and Representation
Cinergie
immigration
documentary
united states
undocumented
daca
author_facet Anna Marta Marini
author_sort Anna Marta Marini
title Ni de aquí ni de allá: the Dreamers’ Audiovisual Self-Narration and Representation
title_short Ni de aquí ni de allá: the Dreamers’ Audiovisual Self-Narration and Representation
title_full Ni de aquí ni de allá: the Dreamers’ Audiovisual Self-Narration and Representation
title_fullStr Ni de aquí ni de allá: the Dreamers’ Audiovisual Self-Narration and Representation
title_full_unstemmed Ni de aquí ni de allá: the Dreamers’ Audiovisual Self-Narration and Representation
title_sort ni de aquí ni de allá: the dreamers’ audiovisual self-narration and representation
publisher University of Bologna
series Cinergie
issn 2280-9481
publishDate 2019-12-01
description In recent years, the US immigration system has shown increasing signs of failure, as it seems unable to cope with the flows of immigration nor the consolidated existence of undocumented immigrants in the country. In spite of the intense ongoing public debate on the topic, the immigrants’ perspective is often absent; the immigrant community itself—whether documented or not—is often rendered invisible and voiceless in the public sphere. Consequently, grassroot immigrant activism movements have emerged and with them a diverse production of audiovisual products related to immigrant justice. Among the most active organizations, those related to undocumented youth certainly stand out; in particular, it’s prominent the engagement of the Dreamers, recipients or potential recipients of the DACA (Deferred Action for Childhood Arrivals) program established in 2012. Documentaries and activist videos related to immigrant justice are chiefly participatory and rely on storytelling, exploiting the effectiveness of personal experiences in stimulating interest, awareness and compassion in the public. Young undocumented people admit to their controversial status using video as a mean of expression, resistance and freedom, voicing their commitment and struggle to fit in the American society, their fear of deportation and the downsides intrinsic to the DACA opportunity.
topic immigration
documentary
united states
undocumented
daca
url https://cinergie.unibo.it/article/view/9580
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