La figuration du cycle du Zodiaque entre Antiquité et Moyen Âge comme lieu de mémoire et de re-sémantisation

This study aims to show figurative, ontological, ideological embeddings, which are implemented into the figuration of the Zodiac cycle between Antiquity and Middle Ages. We show that the figuration of the Zodiac – because of its transmission over centuries and because of its ideologic content – is a...

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Main Author: Angélique Ferrand
Format: Article
Language:fra
Published: Centre d´Histoire et Théorie des Arts 2020-12-01
Series:Images Re-Vues
Subjects:
Online Access:http://journals.openedition.org/imagesrevues/8001
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spelling doaj-fbcc8271b33c4918bc72de894e421d132021-04-08T14:50:41ZfraCentre d´Histoire et Théorie des ArtsImages Re-Vues1778-38012020-12-01910.4000/imagesrevues.8001La figuration du cycle du Zodiaque entre Antiquité et Moyen Âge comme lieu de mémoire et de re-sémantisationAngélique FerrandThis study aims to show figurative, ontological, ideological embeddings, which are implemented into the figuration of the Zodiac cycle between Antiquity and Middle Ages. We show that the figuration of the Zodiac – because of its transmission over centuries and because of its ideologic content – is a place of memory at different levels. The permanence of the Zodiac is accompanied by a re-semantization process. This re-semantization is based on games of analogy and resonance, of which we give here an overview. Through different pictures chosen between Antiquity and Middle Ages, we analyze the figuration of the Zodiac into three steps. Pictures of the Zodiac are linked with the notions of memory and order. Then, we study the graphical means of a visual and ideological network and of a mediation between earth and heavens. Finally, zodiacal figures are examined as references to Antiquity and as place of a re-semantization. Between structuring, mediations, visual and semantic imbrications, the Zodiac circle appears like an element able to support liminality and transitivity in pictures and their place, between Antiquity and Middle Ages.http://journals.openedition.org/imagesrevues/8001zodiacmemorycatasterismsastronomymanuscriptsmosaic pavement
collection DOAJ
language fra
format Article
sources DOAJ
author Angélique Ferrand
spellingShingle Angélique Ferrand
La figuration du cycle du Zodiaque entre Antiquité et Moyen Âge comme lieu de mémoire et de re-sémantisation
Images Re-Vues
zodiac
memory
catasterisms
astronomy
manuscripts
mosaic pavement
author_facet Angélique Ferrand
author_sort Angélique Ferrand
title La figuration du cycle du Zodiaque entre Antiquité et Moyen Âge comme lieu de mémoire et de re-sémantisation
title_short La figuration du cycle du Zodiaque entre Antiquité et Moyen Âge comme lieu de mémoire et de re-sémantisation
title_full La figuration du cycle du Zodiaque entre Antiquité et Moyen Âge comme lieu de mémoire et de re-sémantisation
title_fullStr La figuration du cycle du Zodiaque entre Antiquité et Moyen Âge comme lieu de mémoire et de re-sémantisation
title_full_unstemmed La figuration du cycle du Zodiaque entre Antiquité et Moyen Âge comme lieu de mémoire et de re-sémantisation
title_sort la figuration du cycle du zodiaque entre antiquité et moyen âge comme lieu de mémoire et de re-sémantisation
publisher Centre d´Histoire et Théorie des Arts
series Images Re-Vues
issn 1778-3801
publishDate 2020-12-01
description This study aims to show figurative, ontological, ideological embeddings, which are implemented into the figuration of the Zodiac cycle between Antiquity and Middle Ages. We show that the figuration of the Zodiac – because of its transmission over centuries and because of its ideologic content – is a place of memory at different levels. The permanence of the Zodiac is accompanied by a re-semantization process. This re-semantization is based on games of analogy and resonance, of which we give here an overview. Through different pictures chosen between Antiquity and Middle Ages, we analyze the figuration of the Zodiac into three steps. Pictures of the Zodiac are linked with the notions of memory and order. Then, we study the graphical means of a visual and ideological network and of a mediation between earth and heavens. Finally, zodiacal figures are examined as references to Antiquity and as place of a re-semantization. Between structuring, mediations, visual and semantic imbrications, the Zodiac circle appears like an element able to support liminality and transitivity in pictures and their place, between Antiquity and Middle Ages.
topic zodiac
memory
catasterisms
astronomy
manuscripts
mosaic pavement
url http://journals.openedition.org/imagesrevues/8001
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