Pictorial hows. Vedere-in ed esperienza estetica di immagini

It has recently been suggested that seeing-in can sometimes be central to the aesthetic appreciation of pictures. The key concept is that of inflected seeing-in, a special case of picture perception connected with the wollheimean notion of twofoldness. In order to further understand inflection, I fo...

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Main Author: Giulia Martina
Format: Article
Language:English
Published: Rosenberg & Sellier 2014-04-01
Series:Rivista di Estetica
Online Access:http://journals.openedition.org/estetica/2350
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spelling doaj-fb61c221d4524b30a3665faeca8af2792020-11-25T02:44:49ZengRosenberg & SellierRivista di Estetica0035-62122421-58642014-04-0113715410.4000/estetica.2350Pictorial hows. Vedere-in ed esperienza estetica di immaginiGiulia MartinaIt has recently been suggested that seeing-in can sometimes be central to the aesthetic appreciation of pictures. The key concept is that of inflected seeing-in, a special case of picture perception connected with the wollheimean notion of twofoldness. In order to further understand inflection, I focus on Nanays account. He holds that conscious attention is essential to inflected seeing-in. I agree, but I suggest our conceptualization of the properties of the pictorial vehicle is necessary to account for the complexity of this experience. Developing a suggestion from Wollheim, I then characterize inflected pictorial experience in terms of different pictorial hows and our grasping of them. This makes it possible to account for the intuitive link between properties of experiences and properties of the pictures that trigger them, as well as for the appealing idea that our conscious apprehension of the way a picture depicts its subject - what I may call the pictorial hows - plays a significant role in our aesthetic experience of pictures. I finally look at these results in the more general perspective of a representationalist theory of aesthetic experience.http://journals.openedition.org/estetica/2350
collection DOAJ
language English
format Article
sources DOAJ
author Giulia Martina
spellingShingle Giulia Martina
Pictorial hows. Vedere-in ed esperienza estetica di immagini
Rivista di Estetica
author_facet Giulia Martina
author_sort Giulia Martina
title Pictorial hows. Vedere-in ed esperienza estetica di immagini
title_short Pictorial hows. Vedere-in ed esperienza estetica di immagini
title_full Pictorial hows. Vedere-in ed esperienza estetica di immagini
title_fullStr Pictorial hows. Vedere-in ed esperienza estetica di immagini
title_full_unstemmed Pictorial hows. Vedere-in ed esperienza estetica di immagini
title_sort pictorial hows. vedere-in ed esperienza estetica di immagini
publisher Rosenberg & Sellier
series Rivista di Estetica
issn 0035-6212
2421-5864
publishDate 2014-04-01
description It has recently been suggested that seeing-in can sometimes be central to the aesthetic appreciation of pictures. The key concept is that of inflected seeing-in, a special case of picture perception connected with the wollheimean notion of twofoldness. In order to further understand inflection, I focus on Nanays account. He holds that conscious attention is essential to inflected seeing-in. I agree, but I suggest our conceptualization of the properties of the pictorial vehicle is necessary to account for the complexity of this experience. Developing a suggestion from Wollheim, I then characterize inflected pictorial experience in terms of different pictorial hows and our grasping of them. This makes it possible to account for the intuitive link between properties of experiences and properties of the pictures that trigger them, as well as for the appealing idea that our conscious apprehension of the way a picture depicts its subject - what I may call the pictorial hows - plays a significant role in our aesthetic experience of pictures. I finally look at these results in the more general perspective of a representationalist theory of aesthetic experience.
url http://journals.openedition.org/estetica/2350
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