O nome próprio, a tela-espelho, o corpo-palavra e seu duplo
This article focuses on <em>Nome próprio</em> (<em>Proper noun</em>), by Murilo Salles, which dialogues with Clarah Averbuck’s novels that are centered around the young Camila; my aim is to characterize how the film reads the experience lived by this character, through the an...
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| Format: | Article |
| Language: | English |
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Universidade de São Paulo
2015-08-01
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| Series: | Significação: Revista de Cultura Audiovisual |
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| Online Access: | http://www.revistas.usp.br/significacao/article/view/98301 |
| Summary: | This article focuses on <em>Nome próprio</em> (<em>Proper noun</em>), by Murilo Salles, which dialogues with Clarah Averbuck’s novels that are centered around the young Camila; my aim is to characterize how the film reads the experience lived by this character, through the analysis of its narrative point of view and its <em>mise-en-scène</em> that dramatize her special investment in the act of writing, always interwoven with her personal interactions and her involvement in the dynamics of social networks, a communication field of accelerated demands and fabricated identities. |
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| ISSN: | 1516-4330 2316-7114 |