| Summary: | The operations of technology implementation within the theatrical performance, as well as the attempt of embedding the scene into video, have been core to the debate surrounding the hybrid forms phenomenon and the interaction between live and media-driven performances. Within the debate on these practices, the project taken under consideration in the article − mald'è − has undoubtedly a peculiar feature as it tries to be a synthesis of the acting experience of Matilde de Feo with filmakers' and multimedia directors' Mario Savinio. Specifically, the main objects of my analysis are the contaminating dynamics of an audio-visual production (Non io) and a digital performance (Il principio di indeterminazione di Heisenberg) which aim, respectively, to the electronic remediation of a Beckettian drama and to the organic integration between the video projection and a monologue of Dario Fo and Franca Rame.
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