La disonancia de hoy consonancia de mañana. Un nuevo pacto entre compositor y público por el bien de la música
<p>The general public’s acceptation of artisitc novelties is one of the sources of friction between creators, the potential consumers of their creations and those who participate in the process, often having to act as intermediaries or witnesses of the (not always fluent) dialogue between comp...
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| Format: | Article |
| Language: | Spanish |
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Universidad Complutense de Madrid
2007-01-01
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| Series: | Cuadernos de Música Iberoamericana |
| Online Access: | http://147.96.1.34/index.php/CMIB/article/view/61150 |