Mais que me chantez-vous là ? Abus de langue et abus de langage

Often the tongues the languages and the language CAN be confused to the benefit of a simplified analogy being associated to music as a tongue. We are often told that music is a tongue or a language anyway or just the language of music. This article not only aims at revealing some reasons to explain...

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Bibliographic Details
Main Author: Laetitia Pille
Format: Article
Language:English
Published: Cercle linguistique du Centre et de l'Ouest - CerLICO 2016-06-01
Series:Corela
Subjects:
Online Access:http://journals.openedition.org/corela/4426
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spelling doaj-f9e06fa802c54c5eadf495f350c303282020-11-24T22:00:32ZengCercle linguistique du Centre et de l'Ouest - CerLICOCorela1638-573X2016-06-0110.4000/corela.4426Mais que me chantez-vous là ? Abus de langue et abus de langageLaetitia PilleOften the tongues the languages and the language CAN be confused to the benefit of a simplified analogy being associated to music as a tongue. We are often told that music is a tongue or a language anyway or just the language of music. This article not only aims at revealing some reasons to explain false analogies but also at distinguishing better the tongues the languages and the language. Throughout this discriminating study we present and face the theory of linguists, of philosophers, of scientists of cognition and of musicologists. The semantic of point of view presented by Pierre-Yves Raccah gave references to which the other theories are up against. Beyond the simple differences of definition and of description we have brought up to date the ideologies revealed by these same definitions or descriptions of music where it is described as a tongue or a language.http://journals.openedition.org/corela/4426tonguelanguagemusictheorydescriptiondefinition
collection DOAJ
language English
format Article
sources DOAJ
author Laetitia Pille
spellingShingle Laetitia Pille
Mais que me chantez-vous là ? Abus de langue et abus de langage
Corela
tongue
language
music
theory
description
definition
author_facet Laetitia Pille
author_sort Laetitia Pille
title Mais que me chantez-vous là ? Abus de langue et abus de langage
title_short Mais que me chantez-vous là ? Abus de langue et abus de langage
title_full Mais que me chantez-vous là ? Abus de langue et abus de langage
title_fullStr Mais que me chantez-vous là ? Abus de langue et abus de langage
title_full_unstemmed Mais que me chantez-vous là ? Abus de langue et abus de langage
title_sort mais que me chantez-vous là ? abus de langue et abus de langage
publisher Cercle linguistique du Centre et de l'Ouest - CerLICO
series Corela
issn 1638-573X
publishDate 2016-06-01
description Often the tongues the languages and the language CAN be confused to the benefit of a simplified analogy being associated to music as a tongue. We are often told that music is a tongue or a language anyway or just the language of music. This article not only aims at revealing some reasons to explain false analogies but also at distinguishing better the tongues the languages and the language. Throughout this discriminating study we present and face the theory of linguists, of philosophers, of scientists of cognition and of musicologists. The semantic of point of view presented by Pierre-Yves Raccah gave references to which the other theories are up against. Beyond the simple differences of definition and of description we have brought up to date the ideologies revealed by these same definitions or descriptions of music where it is described as a tongue or a language.
topic tongue
language
music
theory
description
definition
url http://journals.openedition.org/corela/4426
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