Performance and the City: Constructing Urban Identities in Contemporary London

The relationship between spectators, performers and spaces is investigated in a critical perspective which aims at further developing the concept of the city as a performance place where precarious urban identities are dynamically and temporarily shaped and reshaped. Even if this essay ta...

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Bibliographic Details
Main Author: Di Michele, Laura
Format: Article
Language:English
Published: Universidad de Alicante 2013-11-01
Series:Revista Alicantina de Estudios Ingleses
Online Access:https://raei.ua.es/article/view/2013-n26-performance-and-the-city-constructing-urban-identities-in-contemporary-london
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spelling doaj-f96d805f2fd742a3a6657f815ae981e22020-11-25T03:54:18ZengUniversidad de AlicanteRevista Alicantina de Estudios Ingleses0214-48082171-861X2013-11-012615710.14198/raei.2013.26.124811Performance and the City: Constructing Urban Identities in Contemporary LondonDi Michele, Laura The relationship between spectators, performers and spaces is investigated in a critical perspective which aims at further developing the concept of the city as a performance place where precarious urban identities are dynamically and temporarily shaped and reshaped. Even if this essay takes into due account the seminal studies of Barthes (1971), H. Lefebvre (1974), and urban theorists such as Reyner Banham and Kevin Lynch who conceived of the city as a ‘legible’ text, at the same time it argues that textuality and performativity must be perceived as intertwined cultural practices that work together to shape the body of phenomenal, intellectual, psychic, and social encounters that frame a subject’s experience of the city. London 2012 Olympic Games, and in particular the stunning Opening Ceremony directed by Danny Boyle, for which visitors and overseas spectators were invited to transform themselves into a global theatrical audience, can be used as a privileged viewpoint from which to analyse the different ways of perceiving, but also being looked at and performing oneself, in and through spaces which tend at modifying, or at interrogating or destabilizing one’s traditional identity.https://raei.ua.es/article/view/2013-n26-performance-and-the-city-constructing-urban-identities-in-contemporary-london
collection DOAJ
language English
format Article
sources DOAJ
author Di Michele, Laura
spellingShingle Di Michele, Laura
Performance and the City: Constructing Urban Identities in Contemporary London
Revista Alicantina de Estudios Ingleses
author_facet Di Michele, Laura
author_sort Di Michele, Laura
title Performance and the City: Constructing Urban Identities in Contemporary London
title_short Performance and the City: Constructing Urban Identities in Contemporary London
title_full Performance and the City: Constructing Urban Identities in Contemporary London
title_fullStr Performance and the City: Constructing Urban Identities in Contemporary London
title_full_unstemmed Performance and the City: Constructing Urban Identities in Contemporary London
title_sort performance and the city: constructing urban identities in contemporary london
publisher Universidad de Alicante
series Revista Alicantina de Estudios Ingleses
issn 0214-4808
2171-861X
publishDate 2013-11-01
description The relationship between spectators, performers and spaces is investigated in a critical perspective which aims at further developing the concept of the city as a performance place where precarious urban identities are dynamically and temporarily shaped and reshaped. Even if this essay takes into due account the seminal studies of Barthes (1971), H. Lefebvre (1974), and urban theorists such as Reyner Banham and Kevin Lynch who conceived of the city as a ‘legible’ text, at the same time it argues that textuality and performativity must be perceived as intertwined cultural practices that work together to shape the body of phenomenal, intellectual, psychic, and social encounters that frame a subject’s experience of the city. London 2012 Olympic Games, and in particular the stunning Opening Ceremony directed by Danny Boyle, for which visitors and overseas spectators were invited to transform themselves into a global theatrical audience, can be used as a privileged viewpoint from which to analyse the different ways of perceiving, but also being looked at and performing oneself, in and through spaces which tend at modifying, or at interrogating or destabilizing one’s traditional identity.
url https://raei.ua.es/article/view/2013-n26-performance-and-the-city-constructing-urban-identities-in-contemporary-london
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