A Critical Approach to Roma Design

• Main Author: Ágota Szilágyi-Kispista
• Format: Article
• Language: English
• Published: Romani Studies Program at Central European University 2018-04-01
• Series: Critical Romani Studies
• Subjects: Critical design theory; Design studies; Self-empowerment; Roma design; Cultural representation
• Online Access: https://crs.ceu.edu/index.php/crs/article/view/13

In his 2016 book Notes on the Ontology of Design, Arturo Escobar asks whether it is possible to talk about the existence of a “critical design theory”. He states that if by “critical” we mean the application of a series of critical theories and approaches in the fields of design, and a certain connection to cultural studies, then we can talk about the ongoing development of a “critical design theory”. Based on an analysis of a set of objects by the social enterprise Meșteshukar ButiQ (Bucharest, Romania), I analyze the role of design in the construction and representation of Romani identity. Generally, design is interpreted as a representation of the self, however it has a significant role in constructing it too. According to Penny Sparke, “design is seen as being part of the dynamic process through which culture is actually constructed, not merely reflected” (2013: 4). Through an analysis of the products created and sold by Meșteshukar ButiQ and its collaborators, I examine the role of design not just in expressing but also in creating meanings, and thereby, I emphasize the design process’ importance in identity politics.