Vita e morte sulla scena invisibile

“The scene of the woman who is the clarity of death. The theatre of the maid who is the mistery of life”: this is the axis the article focuses on. Through the analysis of two dance performances – Praeparatio mortis by Jan Fabris and Kore by Virgilio Sieni – the article examines the nature of knowled...

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Main Author: Caporale Mariangela
Format: Article
Language:English
Published: S&F_scienzaefilosofia.it 2013-06-01
Series:S&F_scienzaefilosofia.it
Subjects:
Online Access:http://www.scienzaefilosofia.com/wp-content/uploads/2018/03/res660641_15-CAPORALE.pdf
id doaj-f7ec195028c64e57908fcbf48f7ef70c
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spelling doaj-f7ec195028c64e57908fcbf48f7ef70c2020-11-24T21:36:35ZengS&F_scienzaefilosofia.itS&F_scienzaefilosofia.it2036-29272013-06-019197219Vita e morte sulla scena invisibileCaporale Mariangela0Università degli Studi di Napoli Federico II“The scene of the woman who is the clarity of death. The theatre of the maid who is the mistery of life”: this is the axis the article focuses on. Through the analysis of two dance performances – Praeparatio mortis by Jan Fabris and Kore by Virgilio Sieni – the article examines the nature of knowledge conceived as ideal vision of the truth. The reflection on life and death’s dance allows to criticize this approach, clarifying the limits of an epistemology that sclerotizes the philosophy as knowledge that is astonished before the truth. These are the limits of the science that derive from this epistemological tradition. The exemplar condition to know the being as the existence of the simply existent (Schelling) is the experience of the childbirth and maternity. Finally the article criticizes the scientific model that exalts every kind of artificial fecundation believed as the perfect opportunity to fulfill completely women’s freedom and her dignity.http://www.scienzaefilosofia.com/wp-content/uploads/2018/03/res660641_15-CAPORALE.pdfKoreMorte
collection DOAJ
language English
format Article
sources DOAJ
author Caporale Mariangela
spellingShingle Caporale Mariangela
Vita e morte sulla scena invisibile
S&F_scienzaefilosofia.it
Kore
Morte
author_facet Caporale Mariangela
author_sort Caporale Mariangela
title Vita e morte sulla scena invisibile
title_short Vita e morte sulla scena invisibile
title_full Vita e morte sulla scena invisibile
title_fullStr Vita e morte sulla scena invisibile
title_full_unstemmed Vita e morte sulla scena invisibile
title_sort vita e morte sulla scena invisibile
publisher S&F_scienzaefilosofia.it
series S&F_scienzaefilosofia.it
issn 2036-2927
publishDate 2013-06-01
description “The scene of the woman who is the clarity of death. The theatre of the maid who is the mistery of life”: this is the axis the article focuses on. Through the analysis of two dance performances – Praeparatio mortis by Jan Fabris and Kore by Virgilio Sieni – the article examines the nature of knowledge conceived as ideal vision of the truth. The reflection on life and death’s dance allows to criticize this approach, clarifying the limits of an epistemology that sclerotizes the philosophy as knowledge that is astonished before the truth. These are the limits of the science that derive from this epistemological tradition. The exemplar condition to know the being as the existence of the simply existent (Schelling) is the experience of the childbirth and maternity. Finally the article criticizes the scientific model that exalts every kind of artificial fecundation believed as the perfect opportunity to fulfill completely women’s freedom and her dignity.
topic Kore
Morte
url http://www.scienzaefilosofia.com/wp-content/uploads/2018/03/res660641_15-CAPORALE.pdf
work_keys_str_mv AT caporalemariangela vitaemortesullascenainvisibile
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