Reliable Top-Left Light Convention Starts With Early Renaissance: An Extensive Approach Comprising 10k Artworks
Art history claims that Western art shows light from the top left, which has been repeatedly shown with narrow image sets and simplistic research methods. Here we employed a set of 10,000 pictures for which participants estimated the direction of light plus their confidence of estimation. From 1420...
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Online Access: | http://journal.frontiersin.org/article/10.3389/fpsyg.2018.00454/full |
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doaj-f7d2bbc4a7a3481e9fad07a25bbbf1bd2020-11-25T00:59:19ZengFrontiers Media S.A.Frontiers in Psychology1664-10782018-04-01910.3389/fpsyg.2018.00454343322Reliable Top-Left Light Convention Starts With Early Renaissance: An Extensive Approach Comprising 10k ArtworksClaus-Christian Carbon0Claus-Christian Carbon1Alexander Pastukhov2Alexander Pastukhov3Department of General Psychology and Methodology, University of Bamberg, Bamberg, GermanyForschungsgruppe Ergonomics, Psychological Æsthetics, Gestalt, Bamberg, GermanyDepartment of General Psychology and Methodology, University of Bamberg, Bamberg, GermanyForschungsgruppe Ergonomics, Psychological Æsthetics, Gestalt, Bamberg, GermanyArt history claims that Western art shows light from the top left, which has been repeatedly shown with narrow image sets and simplistic research methods. Here we employed a set of 10,000 pictures for which participants estimated the direction of light plus their confidence of estimation. From 1420 A.D., the onset of Early Renaissance, until 1900 A.D., we revealed a clear preference for painting light from the top left—within the same period, we observed the highest confidence in such estimations of the light source.One sentence summaryThis study demonstrates a robust preference for painting light from the top left for Western art history, starting from Early Renaissance until 1900.http://journal.frontiersin.org/article/10.3389/fpsyg.2018.00454/fullempirical aestheticslight sourcerenaissanceartworksart historylaterality |
collection |
DOAJ |
language |
English |
format |
Article |
sources |
DOAJ |
author |
Claus-Christian Carbon Claus-Christian Carbon Alexander Pastukhov Alexander Pastukhov |
spellingShingle |
Claus-Christian Carbon Claus-Christian Carbon Alexander Pastukhov Alexander Pastukhov Reliable Top-Left Light Convention Starts With Early Renaissance: An Extensive Approach Comprising 10k Artworks Frontiers in Psychology empirical aesthetics light source renaissance artworks art history laterality |
author_facet |
Claus-Christian Carbon Claus-Christian Carbon Alexander Pastukhov Alexander Pastukhov |
author_sort |
Claus-Christian Carbon |
title |
Reliable Top-Left Light Convention Starts With Early Renaissance: An Extensive Approach Comprising 10k Artworks |
title_short |
Reliable Top-Left Light Convention Starts With Early Renaissance: An Extensive Approach Comprising 10k Artworks |
title_full |
Reliable Top-Left Light Convention Starts With Early Renaissance: An Extensive Approach Comprising 10k Artworks |
title_fullStr |
Reliable Top-Left Light Convention Starts With Early Renaissance: An Extensive Approach Comprising 10k Artworks |
title_full_unstemmed |
Reliable Top-Left Light Convention Starts With Early Renaissance: An Extensive Approach Comprising 10k Artworks |
title_sort |
reliable top-left light convention starts with early renaissance: an extensive approach comprising 10k artworks |
publisher |
Frontiers Media S.A. |
series |
Frontiers in Psychology |
issn |
1664-1078 |
publishDate |
2018-04-01 |
description |
Art history claims that Western art shows light from the top left, which has been repeatedly shown with narrow image sets and simplistic research methods. Here we employed a set of 10,000 pictures for which participants estimated the direction of light plus their confidence of estimation. From 1420 A.D., the onset of Early Renaissance, until 1900 A.D., we revealed a clear preference for painting light from the top left—within the same period, we observed the highest confidence in such estimations of the light source.One sentence summaryThis study demonstrates a robust preference for painting light from the top left for Western art history, starting from Early Renaissance until 1900. |
topic |
empirical aesthetics light source renaissance artworks art history laterality |
url |
http://journal.frontiersin.org/article/10.3389/fpsyg.2018.00454/full |
work_keys_str_mv |
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