Reliable Top-Left Light Convention Starts With Early Renaissance: An Extensive Approach Comprising 10k Artworks

Art history claims that Western art shows light from the top left, which has been repeatedly shown with narrow image sets and simplistic research methods. Here we employed a set of 10,000 pictures for which participants estimated the direction of light plus their confidence of estimation. From 1420...

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Main Authors: Claus-Christian Carbon, Alexander Pastukhov
Format: Article
Language:English
Published: Frontiers Media S.A. 2018-04-01
Series:Frontiers in Psychology
Subjects:
Online Access:http://journal.frontiersin.org/article/10.3389/fpsyg.2018.00454/full
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spelling doaj-f7d2bbc4a7a3481e9fad07a25bbbf1bd2020-11-25T00:59:19ZengFrontiers Media S.A.Frontiers in Psychology1664-10782018-04-01910.3389/fpsyg.2018.00454343322Reliable Top-Left Light Convention Starts With Early Renaissance: An Extensive Approach Comprising 10k ArtworksClaus-Christian Carbon0Claus-Christian Carbon1Alexander Pastukhov2Alexander Pastukhov3Department of General Psychology and Methodology, University of Bamberg, Bamberg, GermanyForschungsgruppe Ergonomics, Psychological Æsthetics, Gestalt, Bamberg, GermanyDepartment of General Psychology and Methodology, University of Bamberg, Bamberg, GermanyForschungsgruppe Ergonomics, Psychological Æsthetics, Gestalt, Bamberg, GermanyArt history claims that Western art shows light from the top left, which has been repeatedly shown with narrow image sets and simplistic research methods. Here we employed a set of 10,000 pictures for which participants estimated the direction of light plus their confidence of estimation. From 1420 A.D., the onset of Early Renaissance, until 1900 A.D., we revealed a clear preference for painting light from the top left—within the same period, we observed the highest confidence in such estimations of the light source.One sentence summaryThis study demonstrates a robust preference for painting light from the top left for Western art history, starting from Early Renaissance until 1900.http://journal.frontiersin.org/article/10.3389/fpsyg.2018.00454/fullempirical aestheticslight sourcerenaissanceartworksart historylaterality
collection DOAJ
language English
format Article
sources DOAJ
author Claus-Christian Carbon
Claus-Christian Carbon
Alexander Pastukhov
Alexander Pastukhov
spellingShingle Claus-Christian Carbon
Claus-Christian Carbon
Alexander Pastukhov
Alexander Pastukhov
Reliable Top-Left Light Convention Starts With Early Renaissance: An Extensive Approach Comprising 10k Artworks
Frontiers in Psychology
empirical aesthetics
light source
renaissance
artworks
art history
laterality
author_facet Claus-Christian Carbon
Claus-Christian Carbon
Alexander Pastukhov
Alexander Pastukhov
author_sort Claus-Christian Carbon
title Reliable Top-Left Light Convention Starts With Early Renaissance: An Extensive Approach Comprising 10k Artworks
title_short Reliable Top-Left Light Convention Starts With Early Renaissance: An Extensive Approach Comprising 10k Artworks
title_full Reliable Top-Left Light Convention Starts With Early Renaissance: An Extensive Approach Comprising 10k Artworks
title_fullStr Reliable Top-Left Light Convention Starts With Early Renaissance: An Extensive Approach Comprising 10k Artworks
title_full_unstemmed Reliable Top-Left Light Convention Starts With Early Renaissance: An Extensive Approach Comprising 10k Artworks
title_sort reliable top-left light convention starts with early renaissance: an extensive approach comprising 10k artworks
publisher Frontiers Media S.A.
series Frontiers in Psychology
issn 1664-1078
publishDate 2018-04-01
description Art history claims that Western art shows light from the top left, which has been repeatedly shown with narrow image sets and simplistic research methods. Here we employed a set of 10,000 pictures for which participants estimated the direction of light plus their confidence of estimation. From 1420 A.D., the onset of Early Renaissance, until 1900 A.D., we revealed a clear preference for painting light from the top left—within the same period, we observed the highest confidence in such estimations of the light source.One sentence summaryThis study demonstrates a robust preference for painting light from the top left for Western art history, starting from Early Renaissance until 1900.
topic empirical aesthetics
light source
renaissance
artworks
art history
laterality
url http://journal.frontiersin.org/article/10.3389/fpsyg.2018.00454/full
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