Viagem pela heterodoxia

This article is focused on Triste trópico (1974), a film by Arthur Omar. A description of its composition urderlines the vertical montage which articulates image and sound following a principle of discontinuity, a disjunctive editing. This descriptive move is followed by an interpretation in which,...

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Main Author: Ismail Xavier
Format: Article
Language:English
Published: Universidade de São Paulo 2000-11-01
Series:Significação: Revista de Cultura Audiovisual
Subjects:
Online Access:http://www.revistas.usp.br/significacao/article/view/90613
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spelling doaj-f7690bcb42ba4074a23638c267ccf7652020-11-25T02:53:13Zeng Universidade de São PauloSignificação: Revista de Cultura Audiovisual1516-43302316-71142000-11-0101491910.11606/issn.2316-7114.sig.2000.9061384964Viagem pela heterodoxiaIsmail Xavier0Universidade de São Paulo. Escola de Comunicação e ArtesThis article is focused on Triste trópico (1974), a film by Arthur Omar. A description of its composition urderlines the vertical montage which articulates image and sound following a principle of discontinuity, a disjunctive editing. This descriptive move is followed by an interpretation in which, together with this internal law of composition, intertextual relationships are taken as a fundamental component of the signifying processes engendered by the film.http://www.revistas.usp.br/significacao/article/view/90613Cinema brasileiroMontagemCinema experimentalViajantes
collection DOAJ
language English
format Article
sources DOAJ
author Ismail Xavier
spellingShingle Ismail Xavier
Viagem pela heterodoxia
Significação: Revista de Cultura Audiovisual
Cinema brasileiro
Montagem
Cinema experimental
Viajantes
author_facet Ismail Xavier
author_sort Ismail Xavier
title Viagem pela heterodoxia
title_short Viagem pela heterodoxia
title_full Viagem pela heterodoxia
title_fullStr Viagem pela heterodoxia
title_full_unstemmed Viagem pela heterodoxia
title_sort viagem pela heterodoxia
publisher Universidade de São Paulo
series Significação: Revista de Cultura Audiovisual
issn 1516-4330
2316-7114
publishDate 2000-11-01
description This article is focused on Triste trópico (1974), a film by Arthur Omar. A description of its composition urderlines the vertical montage which articulates image and sound following a principle of discontinuity, a disjunctive editing. This descriptive move is followed by an interpretation in which, together with this internal law of composition, intertextual relationships are taken as a fundamental component of the signifying processes engendered by the film.
topic Cinema brasileiro
Montagem
Cinema experimental
Viajantes
url http://www.revistas.usp.br/significacao/article/view/90613
work_keys_str_mv AT ismailxavier viagempelaheterodoxia
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