The gentleman poet Salcedo Coronel: lineage, editing, writing
Salcedo Coronel conciliates its work as poet and as Góngora’s commentator with their positions on the court and the aristocracy, represented by their charges as infant cardinal’s master of the horse and knight of Santiago. Both titles appear on the covers of his poetic volumes, and they are not the...
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Universitat de Girona; Universitat Autònoma de Barcelona
2016-11-01
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Online Access: | https://studiaaurea.com/article/view/209 |
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doaj-f71bc900f8484ee58416c055a456e1032021-02-16T15:25:37ZcatUniversitat de Girona; Universitat Autònoma de BarcelonaStudia Aurea: Revista de Literatura Española y Teoría Literaria del Renacimiento y Siglo de Oro1988-10882016-11-0110023927010.5565/rev/studiaaurea.209130The gentleman poet Salcedo Coronel: lineage, editing, writingPedro Ruiz0Universidad de CórdobaSalcedo Coronel conciliates its work as poet and as Góngora’s commentator with their positions on the court and the aristocracy, represented by their charges as infant cardinal’s master of the horse and knight of Santiago. Both titles appear on the covers of his poetic volumes, and they are not the only element of legitimizing its practice. In <em>Cristales de Helicona</em> (1650) the strategies shown in two dimensions, corresponding to the dual condition. While the iconography of the engraving shows the elements of the relationship between the noble and the poet, the prologue of Pellicer emphasizes the aristocratic status of the author, and this turns the volume in a space of representation of relations of sociability with other members of the literary field of time. Between writing and editing, the gentleman poet displays his self-representation.https://studiaaurea.com/article/view/209salcedo coronelpellicerparatextosedicióncampo literariogenealogía |
collection |
DOAJ |
language |
Catalan |
format |
Article |
sources |
DOAJ |
author |
Pedro Ruiz |
spellingShingle |
Pedro Ruiz The gentleman poet Salcedo Coronel: lineage, editing, writing Studia Aurea: Revista de Literatura Española y Teoría Literaria del Renacimiento y Siglo de Oro salcedo coronel pellicer paratextos edición campo literario genealogía |
author_facet |
Pedro Ruiz |
author_sort |
Pedro Ruiz |
title |
The gentleman poet Salcedo Coronel: lineage, editing, writing |
title_short |
The gentleman poet Salcedo Coronel: lineage, editing, writing |
title_full |
The gentleman poet Salcedo Coronel: lineage, editing, writing |
title_fullStr |
The gentleman poet Salcedo Coronel: lineage, editing, writing |
title_full_unstemmed |
The gentleman poet Salcedo Coronel: lineage, editing, writing |
title_sort |
gentleman poet salcedo coronel: lineage, editing, writing |
publisher |
Universitat de Girona; Universitat Autònoma de Barcelona |
series |
Studia Aurea: Revista de Literatura Española y Teoría Literaria del Renacimiento y Siglo de Oro |
issn |
1988-1088 |
publishDate |
2016-11-01 |
description |
Salcedo Coronel conciliates its work as poet and as Góngora’s commentator with their positions on the court and the aristocracy, represented by their charges as infant cardinal’s master of the horse and knight of Santiago. Both titles appear on the covers of his poetic volumes, and they are not the only element of legitimizing its practice. In <em>Cristales de Helicona</em> (1650) the strategies shown in two dimensions, corresponding to the dual condition. While the iconography of the engraving shows the elements of the relationship between the noble and the poet, the prologue of Pellicer emphasizes the aristocratic status of the author, and this turns the volume in a space of representation of relations of sociability with other members of the literary field of time. Between writing and editing, the gentleman poet displays his self-representation. |
topic |
salcedo coronel pellicer paratextos edición campo literario genealogía |
url |
https://studiaaurea.com/article/view/209 |
work_keys_str_mv |
AT pedroruiz thegentlemanpoetsalcedocoronellineageeditingwriting AT pedroruiz gentlemanpoetsalcedocoronellineageeditingwriting |
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