Postcolonial Literature and Land Art in the Anthropocene

• Main Author: Carmen Concilio
• Format: Article
• Language: deu
• Published: Università degli Studi di Torino 2019-12-01
• Series: CoSMO
• Subjects: Anglophone Literature; Land Art; Bioart; Anthropocene; Human-Non Human Cooperation
• Online Access: https://www.ojs.unito.it/index.php/COSMO/article/view/4053

This paper analyses the relationships between literature and land art, in a comparative and cooperative perspective. A feeble monument in Kenya, erected by Karen Blixen and dedicated to her beloved, finds echoes in a paper installation by Canadian artist Marlene Creates. Both monuments present a strong gender signature. J.M. Coetzee's novel In the Heart of the Country (1976) includes writing with stones in the Karoo desert not dissimilarly from what children do in a popular game, where they draw with stones. Finally, Margaret Atwood provides a memorable example of bioart and ecoart in her novel The Year of the Flood (2009), where insects co-participate in the artistic project, right as South African artist William Kentridge managed to produce drawings and a film with ants. All these examples show a cooperative approach to art between humans and non-humans, be they rocks, insects, bones.