Heroines, Hierarchies, and Space: The Fiction of Cecilia Absatz

This examination of the fiction of Cecilia Absatz (Argentina, 1943), covers three novels: Féiguele (1976), the 1982 Té con canela ‘Tea with cinnamon’ and the 1985 Los años pares ‘The Even-Numbered Years.’ The continuities between the three texts, and especially the similarity of their female p...

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Main Author: Naomi Lindstrom
Format: Article
Language:English
Published: New Prairie Press 2010-01-01
Series:Studies in 20th & 21st Century Literature
Online Access:http://newprairiepress.org/sttcl/vol34/iss1/2
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spelling doaj-f5bc7ab4b4514c009175b7384ef739562020-11-24T22:33:27ZengNew Prairie PressStudies in 20th & 21st Century Literature2334-44152010-01-0134110.4148/2334-4415.17095749577Heroines, Hierarchies, and Space: The Fiction of Cecilia AbsatzNaomi LindstromThis examination of the fiction of Cecilia Absatz (Argentina, 1943), covers three novels: Féiguele (1976), the 1982 Té con canela ‘Tea with cinnamon’ and the 1985 Los años pares ‘The Even-Numbered Years.’ The continuities between the three texts, and especially the similarity of their female protagonists, who age from adolescence to the threshold of middle age, allow these novels to be read as a series. The primary focus of this study is the maturation of the protagonists as they struggle for autonomy while navigating different types of space. These include space that is marked by gender; identified as Jewish; and dominated by members of various elites, whether defined by wealth and lineage, by celebrity, or by specialized cultural knowledge or skills. The protagonists are at a disadvantage in different environments: being female in a corporate workplace dominated by powerful males; craving individuality and solitude in a Jewish space in which community is the ideal; and being barely middle-class in milieux where money, accomplishments, and social connections are crucial. Though in many episodes the heroines, out of insecurity and inexperience, allow themselves to be intimidated and manipulated, they analyze their experiences, learn, and seek to strengthen their autonomy. Only in the third of the novels does the protagonist succeed in breaking the hold that more powerful and prestigious men hold over her and establishing a space for herself.http://newprairiepress.org/sttcl/vol34/iss1/2
collection DOAJ
language English
format Article
sources DOAJ
author Naomi Lindstrom
spellingShingle Naomi Lindstrom
Heroines, Hierarchies, and Space: The Fiction of Cecilia Absatz
Studies in 20th & 21st Century Literature
author_facet Naomi Lindstrom
author_sort Naomi Lindstrom
title Heroines, Hierarchies, and Space: The Fiction of Cecilia Absatz
title_short Heroines, Hierarchies, and Space: The Fiction of Cecilia Absatz
title_full Heroines, Hierarchies, and Space: The Fiction of Cecilia Absatz
title_fullStr Heroines, Hierarchies, and Space: The Fiction of Cecilia Absatz
title_full_unstemmed Heroines, Hierarchies, and Space: The Fiction of Cecilia Absatz
title_sort heroines, hierarchies, and space: the fiction of cecilia absatz
publisher New Prairie Press
series Studies in 20th & 21st Century Literature
issn 2334-4415
publishDate 2010-01-01
description This examination of the fiction of Cecilia Absatz (Argentina, 1943), covers three novels: Féiguele (1976), the 1982 Té con canela ‘Tea with cinnamon’ and the 1985 Los años pares ‘The Even-Numbered Years.’ The continuities between the three texts, and especially the similarity of their female protagonists, who age from adolescence to the threshold of middle age, allow these novels to be read as a series. The primary focus of this study is the maturation of the protagonists as they struggle for autonomy while navigating different types of space. These include space that is marked by gender; identified as Jewish; and dominated by members of various elites, whether defined by wealth and lineage, by celebrity, or by specialized cultural knowledge or skills. The protagonists are at a disadvantage in different environments: being female in a corporate workplace dominated by powerful males; craving individuality and solitude in a Jewish space in which community is the ideal; and being barely middle-class in milieux where money, accomplishments, and social connections are crucial. Though in many episodes the heroines, out of insecurity and inexperience, allow themselves to be intimidated and manipulated, they analyze their experiences, learn, and seek to strengthen their autonomy. Only in the third of the novels does the protagonist succeed in breaking the hold that more powerful and prestigious men hold over her and establishing a space for herself.
url http://newprairiepress.org/sttcl/vol34/iss1/2
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