Heroines, Hierarchies, and Space: The Fiction of Cecilia Absatz
This examination of the fiction of Cecilia Absatz (Argentina, 1943), covers three novels: Féiguele (1976), the 1982 Té con canela ‘Tea with cinnamon’ and the 1985 Los años pares ‘The Even-Numbered Years.’ The continuities between the three texts, and especially the similarity of their female p...
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2010-01-01
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doaj-f5bc7ab4b4514c009175b7384ef739562020-11-24T22:33:27ZengNew Prairie PressStudies in 20th & 21st Century Literature2334-44152010-01-0134110.4148/2334-4415.17095749577Heroines, Hierarchies, and Space: The Fiction of Cecilia AbsatzNaomi LindstromThis examination of the fiction of Cecilia Absatz (Argentina, 1943), covers three novels: Féiguele (1976), the 1982 Té con canela ‘Tea with cinnamon’ and the 1985 Los años pares ‘The Even-Numbered Years.’ The continuities between the three texts, and especially the similarity of their female protagonists, who age from adolescence to the threshold of middle age, allow these novels to be read as a series. The primary focus of this study is the maturation of the protagonists as they struggle for autonomy while navigating different types of space. These include space that is marked by gender; identified as Jewish; and dominated by members of various elites, whether defined by wealth and lineage, by celebrity, or by specialized cultural knowledge or skills. The protagonists are at a disadvantage in different environments: being female in a corporate workplace dominated by powerful males; craving individuality and solitude in a Jewish space in which community is the ideal; and being barely middle-class in milieux where money, accomplishments, and social connections are crucial. Though in many episodes the heroines, out of insecurity and inexperience, allow themselves to be intimidated and manipulated, they analyze their experiences, learn, and seek to strengthen their autonomy. Only in the third of the novels does the protagonist succeed in breaking the hold that more powerful and prestigious men hold over her and establishing a space for herself.http://newprairiepress.org/sttcl/vol34/iss1/2 |
collection |
DOAJ |
language |
English |
format |
Article |
sources |
DOAJ |
author |
Naomi Lindstrom |
spellingShingle |
Naomi Lindstrom Heroines, Hierarchies, and Space: The Fiction of Cecilia Absatz Studies in 20th & 21st Century Literature |
author_facet |
Naomi Lindstrom |
author_sort |
Naomi Lindstrom |
title |
Heroines, Hierarchies, and Space: The Fiction of Cecilia Absatz |
title_short |
Heroines, Hierarchies, and Space: The Fiction of Cecilia Absatz |
title_full |
Heroines, Hierarchies, and Space: The Fiction of Cecilia Absatz |
title_fullStr |
Heroines, Hierarchies, and Space: The Fiction of Cecilia Absatz |
title_full_unstemmed |
Heroines, Hierarchies, and Space: The Fiction of Cecilia Absatz |
title_sort |
heroines, hierarchies, and space: the fiction of cecilia absatz |
publisher |
New Prairie Press |
series |
Studies in 20th & 21st Century Literature |
issn |
2334-4415 |
publishDate |
2010-01-01 |
description |
This examination of the fiction of Cecilia Absatz (Argentina, 1943), covers three novels: Féiguele (1976), the 1982 Té con canela ‘Tea with cinnamon’ and the 1985 Los años pares ‘The Even-Numbered Years.’ The continuities between the three texts, and especially the similarity of their female protagonists, who age from adolescence to the threshold of middle age, allow these novels to be read as a series. The primary focus of this study is the maturation of the protagonists as they struggle for autonomy while navigating different types of space. These include space that is marked by gender; identified as Jewish; and dominated by members of various elites, whether defined by wealth and lineage, by celebrity, or by specialized cultural knowledge or skills. The protagonists are at a disadvantage in different environments: being female in a corporate workplace dominated by powerful males; craving individuality and solitude in a Jewish space in which community is the ideal; and being barely middle-class in milieux where money, accomplishments, and social connections are crucial. Though in many episodes the heroines, out of insecurity and inexperience, allow themselves to be intimidated and manipulated, they analyze their experiences, learn, and seek to strengthen their autonomy. Only in the third of the novels does the protagonist succeed in breaking the hold that more powerful and prestigious men hold over her and establishing a space for herself. |
url |
http://newprairiepress.org/sttcl/vol34/iss1/2 |
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