Il cinema come campo di battaglia. Cineaste iraniane, la guerra con l’Iraq e la crisi in Afghanistan
Globally speaking, War Cinema is predominantly a male construction. Though Iranian cinema makes no exception, in this rich cinematic production some women directors have been trying to build a gender constructed narrative of war. The article explores how women artists are using external conflicts pr...
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Format: | Article |
Language: | English |
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Firenze University Press
2015-03-01
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Series: | Storia delle Donne |
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Online Access: | https://oaj.fupress.net/index.php/sdd/article/view/2514 |