Il cinema come campo di battaglia. Cineaste iraniane, la guerra con l’Iraq e la crisi in Afghanistan

Globally speaking, War Cinema is predominantly a male construction. Though Iranian cinema makes no exception, in this rich cinematic production some women directors have been trying to build a gender constructed narrative of war. The article explores how women artists are using external conflicts pr...

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Bibliographic Details
Main Author: Anna Vanzan
Format: Article
Language:English
Published: Firenze University Press 2015-03-01
Series:Storia delle Donne
Subjects:
Online Access:https://oaj.fupress.net/index.php/sdd/article/view/2514