El poder de las representaciones sociales: M. Butterfly, la mujer perfecta The power of social representations: M. Butterfly, the perfect woman
En este trabajo se presenta un an&aacute;lisis del film M. Butterfly , dirigido por David Cronenberg, en 1993 y se trata de una versi&oacute;n basada en la &oacute;pera &ldquo;Madame Butterfly&rdquo; de Puccini. <span style="mso-spacerun: yes;"...
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| Format: | Article |
| Language: | Catalan |
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Universitat Autonoma de Barcelona
2011-07-01
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| Series: | Athenea Digital |
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| Online Access: | http://psicologiasocial.uab.es/athenea/index.php/atheneaDigital/article/view/784 |
| Summary: | En este trabajo se presenta un an&aacute;lisis del film M. Butterfly , dirigido por David Cronenberg, en 1993 y se trata de una versi&oacute;n basada en la &oacute;pera &ldquo;Madame Butterfly&rdquo; de Puccini. <span style="mso-spacerun: yes;">&nbsp;</span>El objetivo es demostrar el poder y la fuerza de las representaciones sociales como mecanismos de producci&oacute;n de sentido que permitem que los sujetos sociales construyan, desconstruyan y reconstruyan el mundo en que viven y para el cual buscan sentido.<br>This paper presents an analysis of the film M. Butterfly, directed by David Cronenberg, in 1993. This film is a version based&nbsp;on the opera Madame Butterfly, by Puccini. It aims to demonstrate the power and the strength of social representations as mechanisms for the production of meaning which allow social actors to construct, deconstruct and reconstruct the world in which they live and for which they loook for its meaning. |
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| ISSN: | 1578-8946 1578-8946 |