DIVINELY HUMAN NAMES: ANTHROPONYMY IN MIA COUTO’S WORK

<p>Language as a human possibility of telling its world experience carries an unsolvable condition of not saying it all. Although it may refer to everything, language does not exhaust  the enunciable. The different speeches about God are also in the dynamic and apparently paradoxal game of the...

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Main Author: Antonio Geraldo Cantarela
Format: Article
Language:English
Published: Pontifícia Universidade Católica de São Paulo 2015-04-01
Series:Teoliterária: Revista Brasileira de Literaturas e Teologias
Online Access:http://revistas.pucsp.br/index.php/teoliteraria/article/view/22955
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spelling doaj-f53fb1cf1cf74f90b2f705ebdde8bb152020-11-24T22:34:23ZengPontifícia Universidade Católica de São PauloTeoliterária: Revista Brasileira de Literaturas e Teologias2236-99372015-04-011211614315659DIVINELY HUMAN NAMES: ANTHROPONYMY IN MIA COUTO’S WORKAntonio Geraldo Cantarela0PUC Minas e Instituto Santo Tomás de Aquino (ISTA)<p>Language as a human possibility of telling its world experience carries an unsolvable condition of not saying it all. Although it may refer to everything, language does not exhaust  the enunciable. The different speeches about God are also in the dynamic and apparently paradoxal game of the capability of the human language of covering or not the world. The religious language in its wish to talk about the mysterious reality of the Deity does frequently so through metaphors – a basic constitutive element of the poetic speech. Based on these assumptions- on the theoretical trail of the hermeneutics by Gadamer and Ricoeur –, the paper studies some selected texts by Mia Couto to state that if the Numinous cannot be adequately named, on the other hand the names we make up for us can talk about God. More exactly, the character-names created by the Mozambican writer, despite the fact of being aphasic and crazy because they stage precisely the marginal human condition, are shown with an intense deciphering power of the world. This is why they are offered as an instigating theologizable literary construct.</p><p><strong>Keywords</strong>: Mia Couto. Mozambican Literature. Literary Criticism. Theology. Theopoetics</p>http://revistas.pucsp.br/index.php/teoliteraria/article/view/22955
collection DOAJ
language English
format Article
sources DOAJ
author Antonio Geraldo Cantarela
spellingShingle Antonio Geraldo Cantarela
DIVINELY HUMAN NAMES: ANTHROPONYMY IN MIA COUTO’S WORK
Teoliterária: Revista Brasileira de Literaturas e Teologias
author_facet Antonio Geraldo Cantarela
author_sort Antonio Geraldo Cantarela
title DIVINELY HUMAN NAMES: ANTHROPONYMY IN MIA COUTO’S WORK
title_short DIVINELY HUMAN NAMES: ANTHROPONYMY IN MIA COUTO’S WORK
title_full DIVINELY HUMAN NAMES: ANTHROPONYMY IN MIA COUTO’S WORK
title_fullStr DIVINELY HUMAN NAMES: ANTHROPONYMY IN MIA COUTO’S WORK
title_full_unstemmed DIVINELY HUMAN NAMES: ANTHROPONYMY IN MIA COUTO’S WORK
title_sort divinely human names: anthroponymy in mia couto’s work
publisher Pontifícia Universidade Católica de São Paulo
series Teoliterária: Revista Brasileira de Literaturas e Teologias
issn 2236-9937
publishDate 2015-04-01
description <p>Language as a human possibility of telling its world experience carries an unsolvable condition of not saying it all. Although it may refer to everything, language does not exhaust  the enunciable. The different speeches about God are also in the dynamic and apparently paradoxal game of the capability of the human language of covering or not the world. The religious language in its wish to talk about the mysterious reality of the Deity does frequently so through metaphors – a basic constitutive element of the poetic speech. Based on these assumptions- on the theoretical trail of the hermeneutics by Gadamer and Ricoeur –, the paper studies some selected texts by Mia Couto to state that if the Numinous cannot be adequately named, on the other hand the names we make up for us can talk about God. More exactly, the character-names created by the Mozambican writer, despite the fact of being aphasic and crazy because they stage precisely the marginal human condition, are shown with an intense deciphering power of the world. This is why they are offered as an instigating theologizable literary construct.</p><p><strong>Keywords</strong>: Mia Couto. Mozambican Literature. Literary Criticism. Theology. Theopoetics</p>
url http://revistas.pucsp.br/index.php/teoliteraria/article/view/22955
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