Chinese Fine Art of the 3rd Century: On the Initial Stage of Development of Painting
The paper summarizes the extant written data on Chinese painting on silk in the initial century of the Period of Disunion (Six Dynasties, Liu chao, III–VI A.D.), known as the Sanguo (220–280) and the Western Jin (265–317) epochs. While it is scattered among diverse sources, it is mainly in the Lida...
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Znanstvena založba Filozofske fakultete Univerze v Ljubljani (Ljubljana University Press, Faculty of Arts)
2011-12-01
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Series: | Asian Studies |
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Online Access: | https://revije.ff.uni-lj.si/as/article/view/2871 |
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doaj-f471d1df20a84a5884a41100d7c021172021-03-02T10:30:31ZengZnanstvena založba Filozofske fakultete Univerze v Ljubljani (Ljubljana University Press, Faculty of Arts)Asian Studies2232-51312350-42262011-12-01-151Chinese Fine Art of the 3rd Century: On the Initial Stage of Development of PaintingMarina Prasolova The paper summarizes the extant written data on Chinese painting on silk in the initial century of the Period of Disunion (Six Dynasties, Liu chao, III–VI A.D.), known as the Sanguo (220–280) and the Western Jin (265–317) epochs. While it is scattered among diverse sources, it is mainly in the Lidai minghua ji treatise of Zhang Yanyuan (ca. 810–ca. 990). An analysis of accounts of individual masters and their creative activities attempts to reconstruct the probable artistic and essential features of pieces of art lost afterwards, offering a novel explanation of the initial stage of the formative process of an important genre of composition in Chinese painting and culture. https://revije.ff.uni-lj.si/as/article/view/2871Chinese silk paintingperiod of Disunionpictorial genresfigure paintingbirds and flowers |
collection |
DOAJ |
language |
English |
format |
Article |
sources |
DOAJ |
author |
Marina Prasolova |
spellingShingle |
Marina Prasolova Chinese Fine Art of the 3rd Century: On the Initial Stage of Development of Painting Asian Studies Chinese silk painting period of Disunion pictorial genres figure painting birds and flowers |
author_facet |
Marina Prasolova |
author_sort |
Marina Prasolova |
title |
Chinese Fine Art of the 3rd Century: On the Initial Stage of Development of Painting |
title_short |
Chinese Fine Art of the 3rd Century: On the Initial Stage of Development of Painting |
title_full |
Chinese Fine Art of the 3rd Century: On the Initial Stage of Development of Painting |
title_fullStr |
Chinese Fine Art of the 3rd Century: On the Initial Stage of Development of Painting |
title_full_unstemmed |
Chinese Fine Art of the 3rd Century: On the Initial Stage of Development of Painting |
title_sort |
chinese fine art of the 3rd century: on the initial stage of development of painting |
publisher |
Znanstvena založba Filozofske fakultete Univerze v Ljubljani (Ljubljana University Press, Faculty of Arts) |
series |
Asian Studies |
issn |
2232-5131 2350-4226 |
publishDate |
2011-12-01 |
description |
The paper summarizes the extant written data on Chinese painting on silk in the initial century of the Period of Disunion (Six Dynasties, Liu chao, III–VI A.D.), known as the Sanguo (220–280) and the Western Jin (265–317) epochs. While it is scattered among diverse sources, it is mainly in the Lidai minghua ji treatise of Zhang Yanyuan (ca. 810–ca. 990). An analysis of accounts of individual masters and their creative activities attempts to reconstruct the probable artistic and essential features of pieces of art lost afterwards, offering a novel explanation of the initial stage of the formative process of an important genre of composition in Chinese painting and culture.
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topic |
Chinese silk painting period of Disunion pictorial genres figure painting birds and flowers |
url |
https://revije.ff.uni-lj.si/as/article/view/2871 |
work_keys_str_mv |
AT marinaprasolova chinesefineartofthe3rdcenturyontheinitialstageofdevelopmentofpainting |
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1724236791914954752 |