Politics, pleasure, violence: Swedish defence propaganda in social media
<p>In recent years, the Swedish Armed Forces have produced and distributed highly edited video clips on YouTube that show moving images of military activity. Alongside this development, mobile phone apps have emerged as an important channel through which the user can experience and take an int...
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Sammenslutningen af Medieforskere i Danmark (SMID)
2013-10-01
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doaj-f464f6bdb9c147909ec17be400e991ec2020-11-25T00:40:17ZdanSammenslutningen af Medieforskere i Danmark (SMID)MedieKultur: Journal of Media and Communication Research0900-96711901-97262013-10-0129558513Politics, pleasure, violence: Swedish defence propaganda in social mediaRodrigo Ferrada Stoehrel0Umeå university<p>In recent years, the Swedish Armed Forces have produced and distributed highly edited video clips on YouTube that show moving images of military activity. Alongside this development, mobile phone apps have emerged as an important channel through which the user can experience and take an interactive part in the staging of contemporary armed conflict. This article examines the way in which the aesthetic and affective experience of Swedish defence and security policy is socially and (media-)culturally (co-)constructed and how the official representation of Swedish military intervention (re)produces political and economic effects when these activities are distributed through traditional and social media such as YouTube and digital apps. Based on Isabela and Norman Fairclough’s thoughts on political discourse, Michel Foucault’s dialectic idea of power/knowledge, and Sara Ahmed’s concept of the affective, I discuss how the Swedish digital military aesthetic is part of a broader political and economic practice which has consequences beyond the digital, the semiotic and what might at first glance appear to be pure entertainment.</p><p> </p>http://ojs.statsbiblioteket.dk/index.php/mediekultur/article/view/8020aesthetics, affect, communication, propaganda, warfare, social media, YouTube, mobile phone apps, interdiscursive, interdisciplinary |
collection |
DOAJ |
language |
Danish |
format |
Article |
sources |
DOAJ |
author |
Rodrigo Ferrada Stoehrel |
spellingShingle |
Rodrigo Ferrada Stoehrel Politics, pleasure, violence: Swedish defence propaganda in social media MedieKultur: Journal of Media and Communication Research aesthetics, affect, communication, propaganda, warfare, social media, YouTube, mobile phone apps, interdiscursive, interdisciplinary |
author_facet |
Rodrigo Ferrada Stoehrel |
author_sort |
Rodrigo Ferrada Stoehrel |
title |
Politics, pleasure, violence: Swedish defence propaganda in social media |
title_short |
Politics, pleasure, violence: Swedish defence propaganda in social media |
title_full |
Politics, pleasure, violence: Swedish defence propaganda in social media |
title_fullStr |
Politics, pleasure, violence: Swedish defence propaganda in social media |
title_full_unstemmed |
Politics, pleasure, violence: Swedish defence propaganda in social media |
title_sort |
politics, pleasure, violence: swedish defence propaganda in social media |
publisher |
Sammenslutningen af Medieforskere i Danmark (SMID) |
series |
MedieKultur: Journal of Media and Communication Research |
issn |
0900-9671 1901-9726 |
publishDate |
2013-10-01 |
description |
<p>In recent years, the Swedish Armed Forces have produced and distributed highly edited video clips on YouTube that show moving images of military activity. Alongside this development, mobile phone apps have emerged as an important channel through which the user can experience and take an interactive part in the staging of contemporary armed conflict. This article examines the way in which the aesthetic and affective experience of Swedish defence and security policy is socially and (media-)culturally (co-)constructed and how the official representation of Swedish military intervention (re)produces political and economic effects when these activities are distributed through traditional and social media such as YouTube and digital apps. Based on Isabela and Norman Fairclough’s thoughts on political discourse, Michel Foucault’s dialectic idea of power/knowledge, and Sara Ahmed’s concept of the affective, I discuss how the Swedish digital military aesthetic is part of a broader political and economic practice which has consequences beyond the digital, the semiotic and what might at first glance appear to be pure entertainment.</p><p> </p> |
topic |
aesthetics, affect, communication, propaganda, warfare, social media, YouTube, mobile phone apps, interdiscursive, interdisciplinary |
url |
http://ojs.statsbiblioteket.dk/index.php/mediekultur/article/view/8020 |
work_keys_str_mv |
AT rodrigoferradastoehrel politicspleasureviolenceswedishdefencepropagandainsocialmedia |
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1725291191461740544 |