Politics, pleasure, violence: Swedish defence propaganda in social media

<p>In recent years, the Swedish Armed Forces have produced and distributed highly edited video clips on YouTube that show moving images of military activity. Alongside this development, mobile phone apps have emerged as an important channel through which the user can experience and take an int...

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Bibliographic Details
Main Author: Rodrigo Ferrada Stoehrel
Format: Article
Language:Danish
Published: Sammenslutningen af Medieforskere i Danmark (SMID) 2013-10-01
Series:MedieKultur: Journal of Media and Communication Research
Subjects:
Online Access:http://ojs.statsbiblioteket.dk/index.php/mediekultur/article/view/8020
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spelling doaj-f464f6bdb9c147909ec17be400e991ec2020-11-25T00:40:17ZdanSammenslutningen af Medieforskere i Danmark (SMID)MedieKultur: Journal of Media and Communication Research0900-96711901-97262013-10-0129558513Politics, pleasure, violence: Swedish defence propaganda in social mediaRodrigo Ferrada Stoehrel0Umeå university<p>In recent years, the Swedish Armed Forces have produced and distributed highly edited video clips on YouTube that show moving images of military activity. Alongside this development, mobile phone apps have emerged as an important channel through which the user can experience and take an interactive part in the staging of contemporary armed conflict. This article examines the way in which the aesthetic and affective experience of Swedish defence and security policy is socially and (media-)culturally (co-)constructed and how the official representation of Swedish military intervention (re)produces political and economic effects when these activities are distributed through traditional and social media such as YouTube and digital apps. Based on Isabela and Norman Fairclough’s thoughts on political discourse, Michel Foucault’s dialectic idea of power/knowledge, and Sara Ahmed’s concept of the affective, I discuss how the Swedish digital military aesthetic is part of a broader political and economic practice which has consequences beyond the digital, the semiotic and what might at first glance appear to be pure entertainment.</p><p> </p>http://ojs.statsbiblioteket.dk/index.php/mediekultur/article/view/8020aesthetics, affect, communication, propaganda, warfare, social media, YouTube, mobile phone apps, interdiscursive, interdisciplinary
collection DOAJ
language Danish
format Article
sources DOAJ
author Rodrigo Ferrada Stoehrel
spellingShingle Rodrigo Ferrada Stoehrel
Politics, pleasure, violence: Swedish defence propaganda in social media
MedieKultur: Journal of Media and Communication Research
aesthetics, affect, communication, propaganda, warfare, social media, YouTube, mobile phone apps, interdiscursive, interdisciplinary
author_facet Rodrigo Ferrada Stoehrel
author_sort Rodrigo Ferrada Stoehrel
title Politics, pleasure, violence: Swedish defence propaganda in social media
title_short Politics, pleasure, violence: Swedish defence propaganda in social media
title_full Politics, pleasure, violence: Swedish defence propaganda in social media
title_fullStr Politics, pleasure, violence: Swedish defence propaganda in social media
title_full_unstemmed Politics, pleasure, violence: Swedish defence propaganda in social media
title_sort politics, pleasure, violence: swedish defence propaganda in social media
publisher Sammenslutningen af Medieforskere i Danmark (SMID)
series MedieKultur: Journal of Media and Communication Research
issn 0900-9671
1901-9726
publishDate 2013-10-01
description <p>In recent years, the Swedish Armed Forces have produced and distributed highly edited video clips on YouTube that show moving images of military activity. Alongside this development, mobile phone apps have emerged as an important channel through which the user can experience and take an interactive part in the staging of contemporary armed conflict. This article examines the way in which the aesthetic and affective experience of Swedish defence and security policy is socially and (media-)culturally (co-)constructed and how the official representation of Swedish military intervention (re)produces political and economic effects when these activities are distributed through traditional and social media such as YouTube and digital apps. Based on Isabela and Norman Fairclough’s thoughts on political discourse, Michel Foucault’s dialectic idea of power/knowledge, and Sara Ahmed’s concept of the affective, I discuss how the Swedish digital military aesthetic is part of a broader political and economic practice which has consequences beyond the digital, the semiotic and what might at first glance appear to be pure entertainment.</p><p> </p>
topic aesthetics, affect, communication, propaganda, warfare, social media, YouTube, mobile phone apps, interdiscursive, interdisciplinary
url http://ojs.statsbiblioteket.dk/index.php/mediekultur/article/view/8020
work_keys_str_mv AT rodrigoferradastoehrel politicspleasureviolenceswedishdefencepropagandainsocialmedia
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