THÉRÈSE, GUERREIRA DA SAGRADA FACE

• Main Author: Karla Lidiane Costa Martins Silva
• Format: Article
• Language: Portuguese
• Published: Universidade Federal de Goiás 2016-10-01
• Series: Arte da Cena
• Online Access: https://www.revistas.ufg.br/artce/article/view/42097/21865

This article aims to reflect on the relationship between the sacred and the art in the research which by the artist-researcher Karla L.C. Martins Silva, about Saint Teresa of the Child Jesus ando f the Holy face myth, in progress, in the program Masters, Stricto Sensu-Universidade Federal do Rio Grande do Norte-UFRN, The search for the divine experience beyond the walls of the convent to which you linked, the author is in the theater a fertile soil for an alchemy between the forces of the sacred and the art, by recreating them and articulating them. The research was based on the Mythodology in Art and the Artethnography, practices/concepts upheld by Prof. Ph.D. Luciana Lyra (UERJ), which, in turn, are connected to the fields of Anthropology of Experience (Anthropology of Performance), led by anthropologist Victor Turner, and Anthropology of the Imaginary, led by sociologist Gilbert Durand, which by their turn involve rites of passage, image,myth and ritual.Keywords: Sacred; Art; Ritual; Myth; Mythodology in art; Performance.“Thérèse, warrior of the Holy Face”THÉRÈSE,GUERREIRA DA SAGRADA FACE