Oggetto d’arte quotidiana

Oggetto d’arte quotidiana

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Since the meaning of the design in the XIX Century, “applied art” (to the industry), till today's Designart, through the artidesign (a mix of art, design and craft), the boundary among art and design has been often unsettled. During the 50’s, Max Bill has defined “hairdresser” the designer who...

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Bibliographic Details
Main Author: Dario Russo
Format: Article
Language:English
Published: Firenze University Press 2014-06-01
Series:Aisthesis
Subjects:
Design
Art
Online Access:https://oajournals.fupress.net/index.php/aisthesis/article/view/834
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spelling doaj-f3e8195441a6405da68a61ec3e9950722020-11-25T01:49:39ZengFirenze University PressAisthesis2035-84662014-06-0171Oggetto d’arte quotidianaDario RussoSince the meaning of the design in the XIX Century, “applied art” (to the industry), till today's Designart, through the artidesign (a mix of art, design and craft), the boundary among art and design has been often unsettled. During the 50’s, Max Bill has defined “hairdresser” the designer who focuses on the shape rather than the function. Nowadays, we are surrounded by more and more products with high symbolic level designed to state their aesthetic configuration. Nothing against the communicative value of the product. However, what happens when it affects the usability?https://oajournals.fupress.net/index.php/aisthesis/article/view/834DesignArt
collection DOAJ
language English
format Article
sources DOAJ
author Dario Russo
spellingShingle Dario Russo
Oggetto d’arte quotidiana
Aisthesis
Design
Art
author_facet Dario Russo
author_sort Dario Russo
title Oggetto d’arte quotidiana
title_short Oggetto d’arte quotidiana
title_full Oggetto d’arte quotidiana
title_fullStr Oggetto d’arte quotidiana
title_full_unstemmed Oggetto d’arte quotidiana
title_sort oggetto d’arte quotidiana
publisher Firenze University Press
series Aisthesis
issn 2035-8466
publishDate 2014-06-01
description Since the meaning of the design in the XIX Century, “applied art” (to the industry), till today's Designart, through the artidesign (a mix of art, design and craft), the boundary among art and design has been often unsettled. During the 50’s, Max Bill has defined “hairdresser” the designer who focuses on the shape rather than the function. Nowadays, we are surrounded by more and more products with high symbolic level designed to state their aesthetic configuration. Nothing against the communicative value of the product. However, what happens when it affects the usability?
topic Design
Art
url https://oajournals.fupress.net/index.php/aisthesis/article/view/834
work_keys_str_mv AT dariorusso oggettodartequotidiana
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