Towards the incorporation of a raised walkway at the Royal Alcázar of Seville: status and execution of the works
The Milanese architect Vermondo Resta arrived in Seville in the 16th century and soon became the master builder for the Alcázar, in charge of all the construction works undertaken in this royal palace dating from the Middle Ages. One of the challenges he addressed was the transformation of a fragmen...
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Online Access: | https://doi.org/10.14568/cp2017044 |
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doaj-f3da6ae74dde4db0ac89b742506777a32020-11-24T21:06:13ZengAssociação Profissional de Conservadores - Restauradores de PortugalConservar Património1646-043X2182-99422019-01-0130354610.14568/cp20170442017044Towards the incorporation of a raised walkway at the Royal Alcázar of Seville: status and execution of the worksAlberto Atanasio Guisado0Juan Francisco Molina Rozalem1Instituto Universitario de Arquitectura y Ciencias de la Construcción, HUM 799 – Estrategias de Conocimiento Patrimonial, Universidad de Sevilla, E. T. S. de Arquitectura, Avda. Reina Mercedes, s/n, 41012-Sevilla, SpainInstituto Universitario de Arquitectura y Ciencias de la Construcción, HUM 799 – Estrategias de Conocimiento Patrimonial, Universidad de Sevilla, E. T. S. de Arquitectura, Avda. Reina Mercedes, s/n, 41012-Sevilla, SpainThe Milanese architect Vermondo Resta arrived in Seville in the 16th century and soon became the master builder for the Alcázar, in charge of all the construction works undertaken in this royal palace dating from the Middle Ages. One of the challenges he addressed was the transformation of a fragment of the 12th century wall, which had lost its defensive function, into a double-storey gallery with views over the palace gardens. It was called the Galería del Grutesco, or Grotto Gallery. At the beginning of the 21st century arose the opportunity to restore this space to the design that Resta had conceived four centuries earlier. This article discusses the need to undertake this restoration and describes the technical solution that was proposed and recently executed.https://doi.org/10.14568/cp2017044Royal Alcázar of SevilleArchitectural interventionGrotto galleryCultural Heritage |
collection |
DOAJ |
language |
English |
format |
Article |
sources |
DOAJ |
author |
Alberto Atanasio Guisado Juan Francisco Molina Rozalem |
spellingShingle |
Alberto Atanasio Guisado Juan Francisco Molina Rozalem Towards the incorporation of a raised walkway at the Royal Alcázar of Seville: status and execution of the works Conservar Património Royal Alcázar of Seville Architectural intervention Grotto gallery Cultural Heritage |
author_facet |
Alberto Atanasio Guisado Juan Francisco Molina Rozalem |
author_sort |
Alberto Atanasio Guisado |
title |
Towards the incorporation of a raised walkway at the Royal Alcázar of Seville: status and execution of the works |
title_short |
Towards the incorporation of a raised walkway at the Royal Alcázar of Seville: status and execution of the works |
title_full |
Towards the incorporation of a raised walkway at the Royal Alcázar of Seville: status and execution of the works |
title_fullStr |
Towards the incorporation of a raised walkway at the Royal Alcázar of Seville: status and execution of the works |
title_full_unstemmed |
Towards the incorporation of a raised walkway at the Royal Alcázar of Seville: status and execution of the works |
title_sort |
towards the incorporation of a raised walkway at the royal alcázar of seville: status and execution of the works |
publisher |
Associação Profissional de Conservadores - Restauradores de Portugal |
series |
Conservar Património |
issn |
1646-043X 2182-9942 |
publishDate |
2019-01-01 |
description |
The Milanese architect Vermondo Resta arrived in Seville in the 16th century and soon became the master builder for the Alcázar, in charge of all the construction works undertaken in this royal palace dating from the Middle Ages. One of the challenges he addressed was the transformation of a fragment of the 12th century wall, which had lost its defensive function, into a double-storey gallery with views over the palace gardens. It was called the Galería del Grutesco, or Grotto Gallery. At the beginning of the 21st century arose the opportunity to restore this space to the design that Resta had conceived four centuries earlier. This article discusses the need to undertake this restoration and describes the technical solution that was proposed and recently executed. |
topic |
Royal Alcázar of Seville Architectural intervention Grotto gallery Cultural Heritage |
url |
https://doi.org/10.14568/cp2017044 |
work_keys_str_mv |
AT albertoatanasioguisado towardstheincorporationofaraisedwalkwayattheroyalalcazarofsevillestatusandexecutionoftheworks AT juanfranciscomolinarozalem towardstheincorporationofaraisedwalkwayattheroyalalcazarofsevillestatusandexecutionoftheworks |
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1716766340536074240 |