Towards the incorporation of a raised walkway at the Royal Alcázar of Seville: status and execution of the works

The Milanese architect Vermondo Resta arrived in Seville in the 16th century and soon became the master builder for the Alcázar, in charge of all the construction works undertaken in this royal palace dating from the Middle Ages. One of the challenges he addressed was the transformation of a fragmen...

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Main Authors: Alberto Atanasio Guisado, Juan Francisco Molina Rozalem
Format: Article
Language:English
Published: Associação Profissional de Conservadores - Restauradores de Portugal 2019-01-01
Series:Conservar Património
Subjects:
Online Access:https://doi.org/10.14568/cp2017044
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spelling doaj-f3da6ae74dde4db0ac89b742506777a32020-11-24T21:06:13ZengAssociação Profissional de Conservadores - Restauradores de PortugalConservar Património1646-043X2182-99422019-01-0130354610.14568/cp20170442017044Towards the incorporation of a raised walkway at the Royal Alcázar of Seville: status and execution of the worksAlberto Atanasio Guisado0Juan Francisco Molina Rozalem1Instituto Universitario de Arquitectura y Ciencias de la Construcción, HUM 799 – Estrategias de Conocimiento Patrimonial, Universidad de Sevilla, E. T. S. de Arquitectura, Avda. Reina Mercedes, s/n, 41012-Sevilla, SpainInstituto Universitario de Arquitectura y Ciencias de la Construcción, HUM 799 – Estrategias de Conocimiento Patrimonial, Universidad de Sevilla, E. T. S. de Arquitectura, Avda. Reina Mercedes, s/n, 41012-Sevilla, SpainThe Milanese architect Vermondo Resta arrived in Seville in the 16th century and soon became the master builder for the Alcázar, in charge of all the construction works undertaken in this royal palace dating from the Middle Ages. One of the challenges he addressed was the transformation of a fragment of the 12th century wall, which had lost its defensive function, into a double-storey gallery with views over the palace gardens. It was called the Galería del Grutesco, or Grotto Gallery. At the beginning of the 21st century arose the opportunity to restore this space to the design that Resta had conceived four centuries earlier. This article discusses the need to undertake this restoration and describes the technical solution that was proposed and recently executed.https://doi.org/10.14568/cp2017044Royal Alcázar of SevilleArchitectural interventionGrotto galleryCultural Heritage
collection DOAJ
language English
format Article
sources DOAJ
author Alberto Atanasio Guisado
Juan Francisco Molina Rozalem
spellingShingle Alberto Atanasio Guisado
Juan Francisco Molina Rozalem
Towards the incorporation of a raised walkway at the Royal Alcázar of Seville: status and execution of the works
Conservar Património
Royal Alcázar of Seville
Architectural intervention
Grotto gallery
Cultural Heritage
author_facet Alberto Atanasio Guisado
Juan Francisco Molina Rozalem
author_sort Alberto Atanasio Guisado
title Towards the incorporation of a raised walkway at the Royal Alcázar of Seville: status and execution of the works
title_short Towards the incorporation of a raised walkway at the Royal Alcázar of Seville: status and execution of the works
title_full Towards the incorporation of a raised walkway at the Royal Alcázar of Seville: status and execution of the works
title_fullStr Towards the incorporation of a raised walkway at the Royal Alcázar of Seville: status and execution of the works
title_full_unstemmed Towards the incorporation of a raised walkway at the Royal Alcázar of Seville: status and execution of the works
title_sort towards the incorporation of a raised walkway at the royal alcázar of seville: status and execution of the works
publisher Associação Profissional de Conservadores - Restauradores de Portugal
series Conservar Património
issn 1646-043X
2182-9942
publishDate 2019-01-01
description The Milanese architect Vermondo Resta arrived in Seville in the 16th century and soon became the master builder for the Alcázar, in charge of all the construction works undertaken in this royal palace dating from the Middle Ages. One of the challenges he addressed was the transformation of a fragment of the 12th century wall, which had lost its defensive function, into a double-storey gallery with views over the palace gardens. It was called the Galería del Grutesco, or Grotto Gallery. At the beginning of the 21st century arose the opportunity to restore this space to the design that Resta had conceived four centuries earlier. This article discusses the need to undertake this restoration and describes the technical solution that was proposed and recently executed.
topic Royal Alcázar of Seville
Architectural intervention
Grotto gallery
Cultural Heritage
url https://doi.org/10.14568/cp2017044
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